Akor Hazırlama Etkisi by Nart Bedin Atalay

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Efficient Discrete Interpolation Algorithm and Module Development of Cycloid Gear Profile by Yao Yuchao, Wang Qiliang, Chang Anquan, Jiang Zhongqiu

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Semidissonanzen. Ein Beitrag zur Didaktik der Harmonielehre by Hans Aerts

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On the application of Newton's and Chord methods to bifurcation problems by M. B. M. Elgindi

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Electrocoagulation of wastewater from commercial mixing stations with dual aluminum electrode by NI Kuan, SHAN Xiaoli, QI Dong, LI Qiang, ZHANG Wenjun

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Reconstructing application layer multicast trees based on back-path scheme by CAO Ji-jun1, XIE Jing2, SU Jin-shu1

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Edge-Version of Fault-Tolerant Resolvability in Networks by Muhammad Faheem, Muhammad Ahmad, Zohaib Zahid, Muhammad Javaid, Mamo Abebe Ashebo

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AirStrum: A virtual guitar using real-time hand gesture recognition and strumming technique by Beulah ARUL, Shashank PANDA, Tushar NAIR

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Coupled Design of Non-flow Ripple and Non-axial Force for Lightweight Roots Pump by Weifeng Wu, Jie Tong, Yulong Li

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An experimental study and a proposed theoretical solution for the prediction of the ductile/brittle failure modes of reinforced concrete beams strengthened with external steel plat... by Van-Hau Nguyen, Thanh Bui-Tien, Phe Van Pham, Long Nguyen-Ngoc

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Node heterogeneous degree-based consistency maintenance method for unstructured overlay networks by YANG Lei, LI Ren-fa, HU Yi-ming, LI Ken-li

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An investigation of cracks caused by concrete shrinkage and temperature differences in common reinforced concrete bridge structures by Van-Hau Nguyen

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THE EFFECT OF LOADING INSIDE STRAIN-GAGE STATION ON FLIGHT LOAD MEASUREMENT by ZHAO Yan, ZHOU ZhanTing, WAN XiaoPeng

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›Lead Sheet‹-Notation vom Vaudeville bis zum iReal Pro. Zur Geschichte der Notationsformen des Jazz und ihren musiktheoretischen Implikationen by Philipp Teriete

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Are Pitch-Class Profiles Really “Key for Key”? by Ian Quinn

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Klangfarbe und musikalischer Zusammenhang. Beobachtungen zum Orchestersatz Richard Wagners by Johannes Kohlmann

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Das Eigene im Fremden. Kompositorische Postmoderne zwischen Verarbeitung einer Vorlage und ausgeprägtem Personalstil am Beispiel von Sven-David Sandströms Motette Lobet den Herrn by Stefan Vanselow

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Akkordstrukturen in George Gershwins Porgy and Bess by Liselotte Kunkel

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Zyklizität und Drama(turgie) in Scelsis viertem Streichquartett by Volker Helbing

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Modelle der Akkordgrundtonbestimmung by Karl Traugott Goldbach

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