THE COMPLEXITY AND CHARACTERISTICS OF CHORAL ART by Luminiţa GUŢANU

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CHORAL ACTIVITY IN RĂHĂU, ALBA COUNTY by Dragoş Ioan ŞUŞMAN

“… The present study takes a journey into the musical life of Romanians in Răhău, a village on the outskirts of Sebeş, studying their choral activity during the first half of the 20th century. …”
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THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE by Éva PÉTER

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THE CHORAL FRAMEWORK IN THE OPERA DECEBAL BY TEODOR ZGUREANU by Luminiţa GUŢANU

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THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA by Luminiţa GUŢANU

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Topical Problems of Choral and Orchestra Conductors Training in the Russian Far East Region by N. F. Semenova

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Sociétés chorales et Renaissance de la musique anglaise, 1840-1910 by Gilles Couderc

“…The great English choral tradition as we know it today was born along with the Industrial Revolution with the development of choral societies like the oldest, the Halifax Choral Society in 1817, while the Birmingham Choral Society, founded in 1843, was to provide a chorus for the town’s Triennial Music Festival. …”
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FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY’S “SEVEN EASY CHORAL PIECES FOR CHILDREN" by Gabriela COCA

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AN EVOCATION OF ION VIDU 150 YEARS AFTER HIS BIRTH. HIS ACTIVITY AS A COMPOSER AND A CONDUCTOR by Ion-Alexandru ARDEREANU

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Markus Schwenkreis (Hg.), Compendium Improvisation – Fantasieren nach historischen Quellen des 17. und 18. Jahrhunderts (= Scripta, Bd. 5), Basel: Schwabe 2018 by Lutz Felbick

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Crimson Tide: Hans Zimmer, Subliminal Harmony, and Submerged Voices by Donald Greig

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Historische Schichten miteinander »verflözt«. Die Übersendung der Klavierstücke opp. 116–119 als passendes Gegengeschenk für Philipp Spittas Aufsatz »Über Brahms« by Knud Breyer

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DER MUSIKALISCHE SPRACHE DES KOMPONISTEN PIERRE VILLETTE IN DEN „A CAPPELLA MOTETTEN HYMNE A LA VIERGE (OP. 24) UND PANIS ANGELICUS (OP. 80)“ by Miklós FEKETE

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Virtual choir as a kind of digital musical art by Xinbin Fu

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Grundsätze zum Studium der Kompositionstechnik in den Fugen von Johann Sebastian Bach. 1. Teil by Heinrich Deppert

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Graduał rkp 7021 Biblioteki Uniwersyteckiej w Poznaniu jako przykład recepcji potrydenckiej reformy chorału gregoriańskiego w polskim obrządku liturgicznym. by Anna Sobczak

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Are Pitch-Class Profiles Really “Key for Key”? by Ian Quinn

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Formation of teaching system for training of musical group conductors by L. P. Rusanova, N. PH. Semenova

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