Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…Neither straightforwardly spectral, nor entirely anchored in an unambiguous dramatic situation, the subject is approached through stereophony as each spectator is confronted to their feelings of empathy and left to negotiate their own hermeneutic path between solo melodies and choral symphonies, between a highly contextualized understanding of the play, and universal reading of the performance. …”
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Self-translation as re-creation: The incipit of a fantasy novel in French (original language) and English by Emma SCHÜTZ

“…I hope to write as a doctoral student in ‘Pratiques et théories de la création littéraire et artistique’ at Aix-Marseille University.It is my project to translate this choral novel, the first volume of Sublimes, and thus rewrite it benefiting from the freedom afforded by self-translation, within the framework provided by the doctoral school or as an autonomous work.The trilogy, entitled Sublimes in French and English, shows two parallel worlds: Earth in 2082, a rather dystopian take on our near future, and Arcadia, a fantasy world where magic once reigned but has long since disappeared. …”
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Laguna de fracasos by Lagunaries

“…We perform theories, we investigate modes of escaping the lineal narrativity, using polyphonic and choral forms of thinking / moving / saying / existing. …”
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Deep gradient reinforcement learning for music improvisation in cloud computing framework by Fadwa Alrowais, Munya A. Arasi, Saud S. Alotaibi, Mohammed Alonazi, Radwa Marzouk, Ahmed S. Salama

“…The improvised music is further rendered in the MIDI format. The Bach Chorales dataset with six different attributes relevant to musical compositions is employed in implementing the present research. …”
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