Gender, Schaffensprozess und musikalische Analyse. Clara Schumanns Drei gemischte Chöre (1848) by Thomas Wozonig

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New Sources and Old Methods. Reconstructing and Applying the Music-Theoretical Paratext of Johann Sebastian Bach’s Compositional Pedagogy by Derek Remeš

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Nam et expectat et attendit et meminit – Dimensionalität von Zeit und Zeiterfahrung in der Fuge cis-Moll BWV 849 by Ariane Jeßulat

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Konvention, Intention und Konstruktion. Die Stimmführungsparallelen in den Choralsätzen Johann Sebastian Bachs und Georg Philipp Telemanns by Andreas Moraitis

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Werkbetrachtung und Analyse im Musikunterricht by Johannes M. Walter

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“HA FOLYÓVĺZ VOLNÉK ... (HAD I BEEN RUNNING WATER ...)”, EQUAL VOICES CHOIR, OP. 1, BY EDE TERÉNYI (1954) by Gabriela COCA

“…This is the text of a folk song, which was taken and processed by the composer Ede Terényi, in 1954, as a little choral musical work on three equal voices, a woman (or children) choir, that was inspired by the “Choral Works for Children’s and Female Voices” of Bartók. …”
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LONGITUDINAL STUDIES OF MUSICALLY GIFTED SCHOOLGIRLS by Svetlana N. Loseva

“…The aim of the article is to consider the empirical aspects of the development of musical gifted schoolgirls in vocal and choral activities.Methods. Scientific methods of research (observation, questionnaire, interview, formative experiment, longitude, testing) are used. …”
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ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

“…The paper hereby offers a glimpse into the outstanding ecclesiastical choral pieces Zoltán Gárdonyi composed in his lifetime. …”
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Dix contre un sur Espérance : une pièce sonore by Sarah Carton de Grammont, Anne Yvonne Guillou, Adeline Herrou, Sophie Houdart, Christine Jungen, Carolina Kobelinsky, Marion Langumier

“…Contrary to all expectations, it led from nostalgia to hope, by way of anticipation exercises. Through a choral reading of fiction fragments written by each of them, echoes between their texts were put to work. …”
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ROMANIAN CHOIRS FROM SEBEŞ-ALBA by Dragoş Ioan ŞUŞMAN

“… The present study provides an overview of the musical life of the Romanians in Sebeş, with a deeper insight into the choral work performed by them in the late 19th century and the first half of the 20th. …”
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Un dispositif liant théâtre et recherche, vecteur d’une dynamique inclusive ? by Claire de Saint Martin, Marie Astier

“…Theatre training, which focuses on choral work, is combined with a collaborative research project about inclusion: the participants reflect together upon the inclusive reality they are experimenting. …”
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ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU by Constanţa CRISTESCU

“… It approaches to analysis some choral moments of cultic ritual of George Enescu's opera Oedipus, in the light source of inspiration to those of ancient Greek and Byzantine succession. …”
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EDITORIAL EXPLOSION by Gabriela COCA

“…The last chapter analyses The Harmonically World of the Contem­poraneous Romanian Music, highlighting The Chamber Symphony of George Enescu, and the choral a cappella creation of the composer Sigismund Toduţă. …”
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THE MONASTERY OF “NEW NEAMŢ” – THE SACRED RIVER THAT FLEW IN THE OCEAN OF ROMANIAN HISTORY by Stela GUŢANU

“…Moreover, they have led to a better understanding of the religious musical life from the old Moldavian monastery, of the beginnings of choral singing. The importance of this fund of manuscripts lies in not only its musical and historic worth, but it also testifies the unity in musical culture of Romanians everywhere. …”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…Neither straightforwardly spectral, nor entirely anchored in an unambiguous dramatic situation, the subject is approached through stereophony as each spectator is confronted to their feelings of empathy and left to negotiate their own hermeneutic path between solo melodies and choral symphonies, between a highly contextualized understanding of the play, and universal reading of the performance. …”
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Laguna de fracasos by Lagunaries

“…We perform theories, we investigate modes of escaping the lineal narrativity, using polyphonic and choral forms of thinking / moving / saying / existing. …”
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Deep gradient reinforcement learning for music improvisation in cloud computing framework by Fadwa Alrowais, Munya A. Arasi, Saud S. Alotaibi, Mohammed Alonazi, Radwa Marzouk, Ahmed S. Salama

“…The improvised music is further rendered in the MIDI format. The Bach Chorales dataset with six different attributes relevant to musical compositions is employed in implementing the present research. …”
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