Chinese-style ceramics in East Africa from the 9th to 16th century: A case of changing value and symbols in the multi-partner global trade by Bing Zhao

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True or False? Defining the Fake in Chinese Porcelain by Stacey Pierson

“…It begins by defining the fake in the context of Chinese art and considers how the fake might be a stylistic category as well as a concept with reference to Chinese ceramics. Fake porcelain by definition is made to deceive but what kind of deception is intended? …”
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Entretien : Regards croisés sur la vraie et fausse porcelaine de Chine by Sophie Duhem, Émilie Roffidal, Maris Boyd Gillette, Laurent Schroeder, Antony J. Allen, Pierre Ansas

“…Should be taken into account finer criteria, specific to amateurs, collectors, craftsmen, art dealers or researchers, who convey their own definitions of "false".This interview, led by Sophie Duhem and Émilie Roffidal, has for objective to gather crossed approaches of specialists of Asian art market, collectors, academics and curators auround four axes :. definitions and perceptions of false Chinese ceramic. location, implemented ways and strategies. ethical questions (financial, patrimonial stakes, etc.). experiences feedback of landmarks or significant events on this topic of true and false.…”
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