Antonio Tabucchi. Sueño de Miguel Angel Merisi, llamado Caravaggio, pintor y hombre iracundo by Guillermo Fernández

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Oublier la Renaissance, désapprendre l’humanisme : Le premier Baroque entre exploitation des acquis et table rase imaginaire by Itay Sapir

Subjects: “…Caravaggio…”
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La légende Caravage. Vie et œuvre de l’artiste, entre fantasmes et réalités by Natacha Aprile

Subjects: “…caravaggio…”
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Thrown to the (Were)Wolves: Sisterhood, Vengeance, and Liberal Feminism in Maggie Tokuda-Hall and Lisa Sterle’s <i>Squad</i> by Jessica Caravaggio

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Complex Variant of Philadelphia Translocation Involving Chromosomes 9, 12, and 22 in a Case with Chronic Myeloid Leukaemia by F. Malvestiti, C. Agrati, S. Chinetti, A. Di Meco, S. Cirrincione, M. Oggionni, B. Grimi, F. Maggi, G. Simoni, F. R. Grati

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Obrazy światłem malowane w filmach Dereka Jarmana by Konrad Chmielecki

“… Artykuł jest próbą analizy estetyki światła w filmach Dereka Jarmana: The Tempest (1979), Caravaggio (1986), War Requiem (1989), Edward II (1991) i Wittgenstein (1992). …”
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Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance by Liliane Louvel

“…Ernest Pignon-Ernest is a French contemporary artist whose technique consists in printing his (black and white pencils, pen and ink) drawings after great masters (particularly Baroque ones like Caravaggio, but not only) and to stick them up at night on city walls. …”
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De l’effet de sidération et de peur dans les autoportraits d’Andy Warhol by Marie CORDIÉ-LEVY

“…This representation of fear through the medium of photography and serigraphy simultaneously conforms to the tradition of the pictorial expressions of fear such as can be seen in Caravaggio, while also renewing the concept by introducing traits more typical of the American psyche: a close up view of the character and a touch of the surreal, which could be considered as the modern form of eternity.…”
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POSTMODERN BİR ‘GÖÇEBE’ NEDİM GÜRSEL: İZLER VE GÖLGELER’İN IŞIĞINDA ANLATININ ÖTESİNE by Hanife Nalan Genç, Ali Tilbe

“…Baudelaire ile başlayan bu büyülü yolculuk, Caravaggio, Kafka, Puşkin ve Dostoyevski, Gogol, İvo Andriç, Borges, Tennessee Williams ile sürer ve Pierre Loti’nin İstanbul’unda sona erer. …”
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