The application research of ancient calligraphy recognition model based on improved filtering and AI technology in calligraphy education in colleges and universities by Xing You

“…Abstract With the increase of Chinese emphasis on calligraphy education, more and more students choose to learn calligraphy courses in colleges. …”
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Recursive Neural Network-Based Market Demand Forecasting Algorithm for Calligraphy Practice Products by Yi Xue

“…In today’s society, calligraphy, which reflects one’s basic writing skills, is becoming more and more important to people. …”
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« À l’identique ». Quelques remarques sur la notion d'authenticité en art chinois by Françoise Lauwaert

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Aesthetic evaluation and the perceived properties of Chinese characters. by Qinjing Zhang, Hiroyuki Mitsudo

“…However, it is unclear whether findings based on geometrical figures can be extended to artworks such as paintings and calligraphy, as artworks have their own contents and meanings. …”
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Spectrochemical Technology in Nanomaterial Preparation and Art Appraisal Technology Research by Xiao Tang

“…In addition, this paper also carried out art identification work, using spectral technology to detect some paintings and calligraphy. The experimental results show that the Raman spectra of these paintings and calligraphy papers are in the visible region because their fluorescence is too strong, and almost all the peaks are submerged. …”
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De la poésie au collage, du cinéma au graffiti by Sophie Dannenmüller

“…Letters applied onto the film strip in his movie Untitled/Aleph (1956-1966) infuse the moving images with subliminal messages, whereas a meticulous calligraphy gives a transcendent and sacred iconic quality to his esoteric graffitis. …”
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Writing and Multimedia. Redesigning the Futuristic Experience by Vincenzo Cirillo

“…It is placed within the context of historical references on the design of writing (as an archaic sign, pictogram, ideogram) and representation technologies (from calligraphy to typography). The relationship between graphic design (writing) and movement (animation) has been addressed in the digital environment through the design of video-graphic products analyzed on the basis of: visual theories of typographic composition; the figurative-generative languages of graphic signs, relational contexts (chromatic, dimensional, formal) along with the integration between image and photo-cinematography (where present); the duration of the audiovisual spot; of the sound component as a key to emotional reading functional to the visual narrative; of communication strategies. …”
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THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA by Luminiţa GUŢANU

“…When writing the choral score, the composer uses the sound calligraphy of folklore (particularly through melismas, appoggiaturas, glissandos, etc.), as well as rhythmic patterns specific to folk music. …”
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‘It’s bawdier in Greek’: A.C. Swinburne’s Subversions of the Hellenic Code by Charlotte Ribeyrol

“…This article therefore proposes to focus on the dichotomy of the Hellenic code, split between the learned and the obscene, between high and potentially low culture, in the writings of the hellenophile Victorian poet, who was equally drawn to the alluring calligraphy of Greek, the language of beauty and formal perfection, as well as to the more fleshly promises suggested by certain Hellenic words and images.…”
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The Mongolian Script in the Baikal region at the Present Stage: a Course for Revitalization? by Innokenty G. Aktamov, Nadezhda B. Badmatsyrenova

“…Mongolian script has gained widespread popularity in the form of calligraphy in the Baikal region. Furthermore, the language is deeply embedded with ethno cultural symbolism, making it a valuable source for the development of the Buryat language and culture as a whole. …”
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Ancient Stone Inscription Image Denoising and Inpainting Methods Based on Deep Neural Networks by Haoming Zhang, Yue Qi, Xiaoting Xue, Yahui Nan

“…Chinese ancient stone inscriptions contain Chinese traditional calligraphy culture and art information. However, due to the long history of the ancient stone inscriptions, natural erosion, and poor early protection measures, there are a lot of noise in the existing ancient stone inscriptions, which has adverse effects on reading these stone inscriptions and their aesthetic appreciation. …”
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Development of ancient Chinese inscription rubbings knowledge base in the context of cultural communication and art appreciation by Kaiyu Qiu, Cuijuan Xia, QianQian Liu

“…Purpose – To promote the cultural communication and art appreciation of Inscriptions and calligraphy which are important cultural heritages in China, with a broad crowd base and educational appreciation value, by using digital humanities methods and technologies, the paper aims to discuss how to develop a new user-oriented knowledge base according to user needs for inscription rubbings research and appreciation. …”
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Charles Humbert « enlumine » l’Enfer de Dante vers 1920 by Philippe Kaenel

“…A l’occasion du sixième centenaire de la naissance de Dante, Charles Humbert (1891-1958), peintre neuchâtelois, calligraphie et enlumine le texte de La Divine comédie dans un volume monumental conservé dans le fonds qu’il a déposé à la bibliothèque de La Chaux-de-Fonds (55 sur 35 centimètres et comptant 445 pages). …”
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