In Memoriam: Prof. Dr. Vasile SURD (1946 - 2024) by Vasile ZOTIC, Diana ALEXANDRU

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THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH by Gabriela Coca

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ENSEMBLES MUSICAUX REPRÉSENTATIFS DE LA PHILHARMONIE « TRANSILVANIA » DE CLUJ-NAPOCA. LES QUATORS À CORDES PENDANT LES ANNÉES 1955 – 1989 by Simona-Mihaela SPIRIDON

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DIE REFORMIERTE BEERDIGUNGSLIEDER UND - BRÄUCHE DES GEBIETES AM BACH NÁDAS by Miklós-Csaba GYÖRGYJAKAB

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EDITORIAL EXPLOSION by Gabriela COCA

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DER MUSIKALISCHE SPRACHE DES KOMPONISTEN PIERRE VILLETTE IN DEN „A CAPPELLA MOTETTEN HYMNE A LA VIERGE (OP. 24) UND PANIS ANGELICUS (OP. 80)“ by Miklós FEKETE

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LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE by Diana TODEA

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Exploring competitive intelligence in Romania: understanding corporate views and approaches by Raluca LUȚAI, Adina MIHĂESCU

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THE ORGANS OF THE REFORMED DIOCESE FROM ERDŐVIDÉK - EXAMINATION PAPER ABOUT THE HISTORY OF THE ORGANS - PART I - by István Zoltán KISGYÖRGY

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ECHOES by Tudor FERARU

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CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011 by Gabriela COCA

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“HA FOLYÓVĺZ VOLNÉK ... (HAD I BEEN RUNNING WATER ...)”, EQUAL VOICES CHOIR, OP. 1, BY EDE TERÉNYI (1954) by Gabriela COCA

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“L’OPERA SERIA” ET SES RÉFORMES by Diana TODEA

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DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT by Miklós FEKETE

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Implicit and Explicit False Memories conditioned by lapse of time by Andreea HOROIȚĂ, Adrian OPRE

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I. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS FENENA’S PRAYER: OH, DISCHIUSO È IL FIRMAMENTO by Adél FEKETE

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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…Within it have been presented the following papers dedicated to the composer's life and activity: Leca Morariu and the Monumental Monograph Worshiped to Ciprian Porumbescu (author: Vasile Vasile – from the University of Piteşti); The Architectural and Tonal Support of the Dramaturgy of the “Crai nou” (New Philanderer) Operetta by Ciprian Porumbescu (author: Gabriela Coca – from the Babeş-Bolyai University of Cluj-Napoca); “Balada” (The Ballad) of Ciprian Porumbescu – a Representative Creation of the Art Music of Bucovina (19th century) (author: Zamfira Dănilă – from the “George Enescu” Academy of Art - Iaşi); The Reception of Ciprian Porumbescu’s Creation in Banat (author: Constantin Tufan Stan – from the Filaret Barbu School of Fine Arts of Lugoj); „Altarul Mănăstirii Putna” (The Altar of Putna Monastery) (author: Sever Paraschiv Dumitrache – from the Bucovina Cultural Center of Suceava); and The Musicological Trilogy “Ciprian Porumbescu Unknown” to an end (autor: Constanţa Cristescu – from the Bucovina Cultural Center - Suceava). …”
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UNE PERSPECTIVE SÉMANTIQUE INTÉGRALISTE SUR L’INTERFÉRENCE TEXTE-MUSIQUE DANS LE CAS DU THÉÂTRE MUSICAL by Mirona BENCE-MUK

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DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

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Civic Engagement in Times of Crisis: How did Romanian Emerging Adults Engage? by Bianca V. MARINICA, Oana NEGRU-SUBTIRICA

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