THE END OF CHRISTIAN LIFE. HOW EMBRACING OUR MORTALITY FREES US TO TRULY LIVE by M. Laubscher

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Comments on Keyan Tomaselli’s "The 2022 Copyright Amendment Bill: Implications for the South African universities’ Research Economy" by Brian Wafawarowa

Subjects: “…Copyright Amendment Bill…”
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A joinder to Keyan Tomaselli’s "The 2022 Copyright Amendment Bill: Implications for the South African universities’ Research Economy" by Sadulla Karjiker

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A reply to Keyan Tomaselli’s "The 2022 Copyright Amendment Bill: Implications for the South African universities’ research economy" by Klaus D Beiter

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On the Problem of Standardization of the Technique of Normative Legal Acts by A. Yu. Glushakov, A. I. Sobolevskaya

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„Four Songs” Billa Violi – eksperymentalne pieśni wideo by Andrzej Pitrus

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Trylogia Billa Douglasa i granice realizmu społecznego by Karolina Kosińska

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Tylko jedno wspomnienie. Próba autobiografii bez narracji w pracach Billa Violi by Andrzej Pitrus

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Specialty Crops and the Farm Bill by Suzanne D. Thornsbury

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Oko w oko ze zwierzęciem: „I Do Not Know What It Is I Am Like” i międzykulturowe negocjacje Billa Violi by Andrzej Pitrus

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Zamknięte przestrzenie Billa Violi by Andrzej Pitrus

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Yoruba Language Use in Lagos State Legislative Assembly: Challenges and Prospects by Hassan Biodun Suleiman

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Legislative Effectiveness: The legislative performance of house representatives of the 16th Philippine Congress by Joanna Marie Baroman

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A New Lease of Life for the Aosta Valley’s Consorterie by Roberto Louvin, Nicolò P. Alessi

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Un nouveau souffle pour les consorteries de la Vallée d’Aoste by Roberto Louvin, Nicolò P. Alessi

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Research on resource monitoring and billing mechanisms of application engine in cloud computing environment by Yi REN, Jing ZHANG, Hong CHEN, Qing-bo WU, Jin-zhu KONG, Hua-dong DAI, Gang GUAN

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Study on Cloud Computing Billing Issues by Hao Chen, Ye Tao, Ni Zhang, Yunyong Zhang

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„The Night Journey” – „gra” Billa Violi w poszukiwaniu nowych przestrzeni by Andrzej Pitrus

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Między słowem a obrazem. Dyskurs eseju filmowego by Bartosz Zając

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Przedmiot – obiekt – gest – instrument: od dada do wczesnej sztuki wideo by Andrzej Pitrus

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