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    How is Ulster’s History Represented in Northern Ireland’s Museums? The Cases of the Ulster Folk Museum and the Ulster Museum by Karine BIGAND

    Published 2011-06-01
    “…This paper focuses on the representation of Ulster’s history in the Ulster Folk and Transport Museum in Cultra and in the Ulster Museum in Belfast. It addresses the ideological outlook behind the fluctuating presentations of history and reflects on the role of museums as mediator between communities in a post-conflict, yet still divided Northern Irish society.…”
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    Représenter les Troubles. Du spectacle médiatique au cauchemar historique  by Brigitte Aubry

    Published 2015-10-01
    “…The Troubles: a euphemism that designates the violent conflict which started in Londonderry on the 5th October 1968 and which ended with Good Friday Agreement signed on the 10th April 1998 in Belfast. Amongst the artists who sought to represent the events, two English painters stand out: Rita Donagh, who has been reflecting on the conflict since the 1970s, through the ideas of identity and territory, and Richard Hamilton, who himself created an ambitious trilogy through three major artworks – The citizen (1982-3), The subject (1988-90) and The state (1993). …”
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    L’imagerie irlandaise, du stéréotype au simulacre by Corinne Feïss-Jehel, Pierre-Jérôme Jehel

    Published 2018-12-01
    “…Historical reconstructions — the murals of Derry or Belfast, the new areas within the district of Titanic, and popular history — play a major role in these choices.…”
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