Beckett, Duchamp and Chess: A Crossroads at Arcachon in the Summer of 1940 by Harry Vandervlist

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L’ordre des mots dans le temps de la phrase by Jean-Jacques LECERCLE

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Les mots étrangers dans Dream of Fair to Middling Women (1932) de Samuel Beckett by Pascale Sardin

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Sublime Gaps by Antoine Dechêne

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Samuel Beckett's Breath on Screen: Damien Hirst’s Adaptation by Filiz Kutlu

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“Revealing what cannot be spoken” – Gabriel Josipovici’s Short Stories as Illustrations of Transcendental Negativity by Werner Wolf

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Comedy’s Double Negation of Meaning in Post-war European Theater by Anna Street

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Un « opéra radiophonique » : Ariane de Georges Delerue et Michel Polac by Jérôme Rossi

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‘Larks in Season’: The Comic Almanack (1835–54) by Brian Maidment

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The “New” Beckett and the Word/Image Parallax: An Infra-Disciplinary Short-Circuit by Robert Kilroy

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The Interpretation is the Message. Komposition als angewandte Interpretation bei György Kurtág by Tom Rojo Poller

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Jean-Philippe Toussaint : un minimalisme dantesque by Claire Olivier

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