An as-yet-unpublished map of Belgrade from the beginning of the 18th century by Dulović Vladimir

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Évolution du jardin latin moderne », dans Du paradis au jardin latin by Nicolás Marías Rubió y Tudurí

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Corelli empfängt Lully. Über eine virtuelle Begegnung bei François Couperin by Johannes Menke

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European Influence on Russian Culture in the XVII Century by E. V. Chernikova

Subjects: “…baroque culture…”
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Nepomucká sousoší v Olomouci a v Žarošicích a jejich východočeské paralely. Příspěvek k poznání barokního sochařství na Moravě by Pavel Panoch

“… The paper deals with a baroque visual tradition of the two themes of the St. …”
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Poznámky ke vnímání řeholního života mezi barokem a osvícenstvím by Jiří Mikulec

“…For example, they appreciated the care of the ill, charity activities, education and upbringing of youth, and scientific activities. On the other hand, baroque society highly appreciated religious activities of monasteries, promotion of baroque spirituality among the seculars, and also the regular life as such. …”
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The periodisation of Lithuanian history in the context of social history by Alfredas Bumblauskas

“…Questions and arguments concerning the beginning of the Early New Ages in the history of Lithuania and the attitude towards Baroque as the civilization epoch of Lithuanian history help to ground the tripartite periodization of the Early History of Lithuania (1009-1795): the epoch of Paganism (1009-1387), the epoch of Europeanization (1387-1569), and the epoch of Baroque. …”
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ORNAMENTS IN THE TREATY VERSUCH EINER ANWEISUNG DIE FLÖTE TRAVERSIÈRE ZU SPIELEN (1752) FROM JOHANN JOACHIM QUANTZ by Ignác Csaba FILIP

“… The application of the performing principles ornaments described by Quantz is valid for all the performers who wish to represent the baroque music according to its rules and to the rules of the epoch. …”
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Chrudimský Kristus a zázračné souřadnice jeho barokní legendy by Pavel Panoch

“…Salvator's painting kept in the Church of the Assumption of the Virgin Mary in Chrudim, which became worshipped as an antiplague Paladium of baroque Bohemia and Moravia during the pestilence epidemics in years 1680 and 1713–1715. …”
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Jan Václav Michna z Vacínova a emblematická výzdoba kostela sv. Jakuba Většího v Kratonohách by Pavel Panoch

“…The baroque vaults were covered by the stucco net of painted emblems of devotional themes. …”
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Náměty k budoucímu šporkovskému bádání by Jindřich Kolda

“… The article summarises the crucial aspecys of the existing research concerning Franz Anton Sporck, an influential aristocrat of the Czech Baroque period, and presents several suggestions for further investigations in this field. …”
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Knihovna a čtenářské zájmy Františka Ferdinanda a Jana Václava z Gallasu by Veronika Mezerová

“…The findings are compared to other baroque literary collection. In the conclusion there is an outline of later development of Gallas as well as the later Clam-Gallas library. …”
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Světec, kříž a zbožný krab. Divertimento z barokní hagiografie mezi Západem a Východem by Pavel Panoch

“…Francis Xavier and pious crab monitors examples of Baroque graphics (university theses), painting and sculpture in Central Europe. …”
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Krupští bergmistři, horní inspektoři a páni Šternberkové by Jan Kilián

“…This is even more true of the Baroque period, when the town was held by the Sternbergs. …”
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From the City as Forest to Forest-City by Michele Caja

“…A new idea of city surrounded by nature would had replace the compactness of the Baroque urban structure. From Laugier’s idea of city as a forest to the development of new urban prototypes represented within an idealized natural context, as in the drawings of Boullèe and Ledoux, emerges the search for new architectural and urban models alternative to the consolidated city. …”
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Barokní šlechtic a jeho právní poradci. Na příkladě sporu mezi Annou Kateřinou Swéerts-Sporck a Kristýnou Alžbětou z Obernitz (1739–1743) by Michaela Buriánková

“… The case of the court dispute between Count Anna Katherina von Swéerts-Sporck and Christina Elisabeth von Obernitz, which took place in the 1740s is used to describe the relation between a Baroque aristocrat and his or her legal counsellors, how many of these counsellors were necessary to prevail in the dispute and how. …”
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