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  1. 1

    Speed Detection, intertextuality and audiences in Sherlock by Asta Koch, Palle Schantz Lauridsen

    Published 2017-05-01
    “…In its English context, Sherlock was a huge success when broadcast on BBC One. The series, however, soon also became the center of a massive, creative, mostly online-based fan attention. …”
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  2. 2

    From the Banned Telefilm to the Feature Film: the Two Versions of Alan Clarke’s Scum (1977-1979) by Nicole Cloarec

    Published 2013-11-01
    “…How the decision was reached remains unclear but there is no denying that the film was deemed too controversial both by the Home Office and the newly-appointed BBC One controller Bill Cotton. Scum is set in a borstal, the name given to institutions for young offenders (a system that was to be abolished in 1982), and depicts life under a daily regimen of violence, bullying and racism. …”
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  3. 3

    Higher Justice in the Screen Images of Sherlock Holmes and Father Brown / Воплощение идеи высшей справедливости в экранных образах Шерлока Холмса и отца Брауна... by BULGAROVA BELLA A. / БУЛГАРОВА Б.А., OVCHARENKO ALEXEY YU. / ОВЧАРЕНКО А.Ю., BARABASH VICTOR V. / БАРАБАШ В.В., VOROPAEVA YULIA A. / ВОРОПАЕВА Ю.А.

    Published 2023-03-01
    “…The second part focuses on the results of the empirical research that gives an insight into psychological perception of Father Brown and Sherlock Holmes screen images in the film adaptation of The Adventures of Sherlock Holmes, a British detective series (1984–1993); and in Father Brown— a detective series on BBC One (2013–present). As a result of the conducted research it was concluded that the image of Sherlock Holmes is a more popular and timeless embodiment of the idea of higher justice due to the lack of semiotic bindings to personal identity factors, including confessional ones. …”
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