SUMMARY. Ad Reinhardt: A Responsible Eye. Perception and Engagement of the Spectator in the Collages of 1946 by Margaux VERDET

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À l’épreuve de la commande by Eléonore Devevey

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The Eagle Eyes: an Intervention Utilizing Visual Thinking Strategies to Enhance the Observation Skills of Medical Students by Najmeh Ghorbani, Maryam Alizadeh, Azadeh Sayarifard, Abdoljavad Khajavi, Philip Yenawine

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Visions of Liberty, Rooms With Views. Squaring The Circle: Harriet Hale Woolley, Past & Present by Christopher Alexander Kostritsky Gellert

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ЕMPATHY AS CONDITIONS OF HUMAN CREATIVITY by Tamara N. Matyukh

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Esbozo historiográfico y artístico de los monumentos y esculturas de la provincia de Guanentá, Santander by Elkin Guillermo Colmenares-Dulcey

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Estirando en el telar secretos de abuela india: tradición textil de la comunidad maya tsotsil de San Bartolomé de los Llanos, Chiapas (sureste de México) by Vanina Alejandra Tobar

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L’expression de la violence dans la broderie contemporaine by Léonie Lauvaux

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L’architecture émotionnelle au service du projet by Nicolas Gilsoul

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Teoría estética e historia del arte. Kant, Wölfflin, Warburg by Lisímaco Parra

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La Mostra internazionale francescana ad Assisi del 1927 by Alessandro Paolo Lena

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Quel appareil théâtral ? by Stéphane Poliakov

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Arts rupestres, écritures et protoécritures en Afrique : l’exemple du libyque by Jean-Loïc Le Quellec

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Choix, valeurs, théorisation by George Brunel

Subjects: “…contemporary art…”
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Transformações geométricas em ponto cruz em oficina no laboratório de matemática com alunas do programa mulheres mil by Sabrine Costa Oliveira, Sandra Aparecida Fraga da Silva

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El Finlay de Albaijés by Jorge Eduardo Abreu Ugarte

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Entre le livre d’art et le livre d’artiste : de quelques catalogues hybrides by Aurélie Pignon

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De l’intericonicité comme espace et temps (ré)créatif : les Video Portraits de Robert Wilson by Marie BOUCHET

Subjects: “…contemporary art…”
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Espacios de color en la ciudad gris by Eduardo Kingman Garcés

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Buenos Aires expuesta by Catalina V. Fara

Subjects: “…Salón Nacional de Bellas Artes…”
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