The Artist’s Intent in Flux by Rebecca Gordon, Erma Hermens

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Arte e criação artística em contexto urbano: um estudo de caso de política pública em Porto Alegre (RS, Brasil) by Ana Luiza Carvalho da Rocha, Cornelia Eckert

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Les théâtres à ciel ouvert de Ouagadougou by Karolina Svobodova

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Research and Encounters around the Conservation of a Vietnamese War Painting by Sabine Cotte

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Framing Colonial Australia: A Socio-historical Articulation of the Display of Art by Anita Gowers

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Droit d’auteur et restauration des œuvres à caractère technologique by Anne-Laure Moya-Plana

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Living and Growing Within a Museum: re-creating video art for preservation by Ana Ribeiro

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SANATÇININ YARATICILIĞI YA DA YARATILIŞA TANIKLIĞI ÜZERİNE BİR DEĞERLENDİRME by Fulya Bayraktar

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The Contemporary Artwork Between Meaning and Cultural Identity by Paolo Martore

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Accompagner la professionnalisation des artistes équestres : analyse du processus depuis un comité de pilotage by Éric Maleyrot

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Au-delà de la vocation artistique : un recrutement sexuellement différencié des candidat-e-s à une carrière de plasticien-ne ? by Mathilde Provansal

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Dans l’excès de visibilité : jeu du montrer / cacher dans les photographies de Lorna Simpson by Claudine Armand

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Joseph Loxton Rawbon, the "Master Restorer" by Cyndie Lack

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O artista popular e o contrato: lógicas divergentes nas produções musicais by Mariana Mont\u2019Alverne Barreto Lima

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Grandeur et décadence des femmes peintres entre la fin de la monarchie et la première moitié du XIXe siècle by Vera de Ladoucette

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La vie des Gommes : pour une approche biographique des pneus de Carol Rama by Carolina Spovieri

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« Rejoindre les civilisations », Victor Brauner et sa collection d’arts extra-européens by Noémie Fillon

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From Multivalent Writing to a Poetics of the Book: A Media-Specific Analysis of Mary Ruefle’s A Little White Shadow by Catherine Ann Winters

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‘We’re All Mad Here’: Alienation, Madness, and Crafting Tom Waits by Nadia López-Peláez Akalay

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A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique by Nawarat Kaew-On, Supapit Kongchan

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