Theatre and Psychoanalysis: or Jung on Martin Crimp's Stage: “100 Words” by Solange Ayache

“…Our point is that this “collage” of disarticulated words inserted by Crimp into the dialogue of three anonymous art critics ironically emphasizes the absence of the main character, the suicidal artist, and her refusal to undergo “treatment.” …”
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Conservation Voltage Reduction in Distribution Networks: A Comprehensive Review by Ibrahim Alzubi, Saher Albatran, Issam A. Smadi, Salman Harasis

“…This paper gives engineers and researchers a handy tool to evaluate the state-of-the-art critically, clarify the latest and advanced technologies, and highlight challenges, limitations, and further developments in CVR applications.…”
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Imagens da Arte by Maria Filomena Borja de Melo

“…Before Kant, before contemporary art critics, before a systematic reflexion about art, how was it to talk about art subjects, about beauty, about the art works that were done around? …”
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Constructing Modernism Periodically: T. E. Hulme’s Essays on Art in The New Age by Dominika BUCHOWSKA

“…Referring to aesthetic theories by Bergson, Berenson, Riegl, Worringer and Lipps, Hulme positions himself within the context of formalist art criticism. Their ideas, including the intensity of reception, subjective approach and direct communication to a work of art, as well as the need for abstraction, were of great importance in the formation of modernist thought in art and literature. …”
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Essence and prospects of media criticism research in contemporary Russia by R.P. Bakanov

“…The authors of such texts are mainly critics, professionals who have many years of experience in journalism, art criticism, and other types of criticism (for example, theatrical, film criticism). …”
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THE CONCEPT OF THE NATIONAL HERO «QUONAKH» IN PAINTING AND GRAPHICS DURING THE CHECHEN CRISIS (90S OF THE TWENTIETH CENTURY) by Zarema R. Khamzatova

“…The methodology is based on art criticism, comparative and system-constructive analysis. …”
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Regard rapproché, regard éloigné dans la critique d’art, de Diderot à Huysmans by Michel Delon

“…And it perhaps allows one to judge the greatest creators as those capable of being viewed from both near and far. Diderot’s art criticism was increasingly known through the nineteenth century, nourishing the period’s thought. …”
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A Critique on the Book "The Meaning of Icons" by Nahid Abdi

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Èdè Àyàn: The Language of Àyàn in Yorùbá Art and Ritual of Egúngún by Oláwọlé Fámúlẹ̀

“…In my opinion, as this present study is aimed at confirming, the understanding of African art critically requires that scholars be fluent or at least confident in the reading, writing, and speaking of the language of the people whose art they study. …”
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