Vignettes of interdisciplinary technical art history investigation by Joyce Hill Stoner

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Art and art history in cultural publishing of the second half of the 20th century by Irene Piazzoni

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Towards an art history of precontemporary Africa. Preliminary thoughts for a state-of-the-art assessment by Claire Bosc-Tiessé, Peter Mark

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The Landbound Chicken and the Deliberate Chameleon yet have their Uses: Yorùbá Art History, Language, and Interpretation. by Kathy Curnow

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Numériser les œuvres, renouveler les approches ? L’histoire de l’estampe à l’ère numérique by Johanna Daniel

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Olivier Bonfait, Antoine Courtin, Anne Klammt (coord.), Humanités numériques : de nouveaux récits en histoire de l’art ? by Élise Baillieul

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Numériser les œuvres, renouveler les approches ? L’histoire de l’estampe à l’ère numérique by Johanna Daniel

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La légende Caravage. Vie et œuvre de l’artiste, entre fantasmes et réalités by Natacha Aprile

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Modéliser les carrières et la reconnaissance artistiques : une prosopographie des peintres médaillés au Salon (1848-1880) by Claire Dupin de Beyssat

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Afterword by Benoît Tadié

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Distance in Art or the Art of Distance: the Illusory Search for Depth and its Treatment in the First Landscape Representations by Fernando Linares, Isaac Mendoza

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Penser les cinq sens au Moyen Âge. Poétique, esthétique, éthique, Paris, Classiques Garnier, 2015 by Marie-Madeleine Castellani

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Les Portraits nationaux à l’Exposition universelle parisienne de 1878 : un projet de galerie historique by Stéphane Paccoud

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To Collect and Conquer: American Collections in the Gilded Age by Michaël Vottero

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Interview with Joanna Bigfeather, Cherokee, Director of the Institute of American Indian Arts Museum (IAIA), Santa Fe, NM, USA, October 28, 2000 by Gérard Selbach

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Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes by Jamal Arabzadeh

Subjects: “…art history…”
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A Critique on the Book In Search of Persian Pottery by Leila Ghaffari, Davoud Ranjbaran

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Une reconstruction progressiste du passé : Renaissance et Risorgimento dans « Old Pictures in Florence » de Robert Browning by François Crampe

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Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) by Claire Hendren

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'Plain and Old' by Bas Spliet

Subjects: “…Art history…”
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