Les collections permanentes du Louvre et l’exposition de l’art contemporain by Ariane Lemieux

“…Contemporary art pieces within the path of ancient art history’s  permanent exhibitions has become a known occurrence for visitors.  …”
Get full text

Archéologie d’un jardin de sculptures du xxe siècle by Aline Gheysens

“…It is on this unusual garden that this research will be borne, which will take the appearance of an archaeology whose modalities will be precisely determined – alternately borrowing from the methods of the anthropological investigation, from Art history or literary analysis, from the concepts of philosophy or psychoanalysis, from the practise of photography and the theories of all fields. …”
Get full text

Pas de provenance sans contexte by Peter Mark

“…If one of the aims of art history is to understand better the original meaning of the works studied, then an historical methodology is absolutely essential to the identification and interpretation of precolonial objects. …”
Get full text

Les Souffleurs d’images by Joan Despéramont

“…The principle is simple: a drama, circus arts, applied arts or art history student accompanies a visually impaired person to the cultural event of his or her choice (play, circus, exhibition, etc.) to whisper about the elements that he or she cannot see. …”
Get full text

È già politica. Protoelementi visivi per l'autodeterminazione by Simona La Neve

“…The visual dimension related to Self realisation in art history, is analyzed as answer to control over the individual. …”
Get full text

Digital Viau : histoire et aléas d’un projet en humanités numériques by Léa Saint-Raymond

“…This article aims to retrace the development of a research project, Digital Viau, which combines digital humanities and art history, in order to present, in the form of a digital library deployed with Omeka, the collection of paintings, graphic arts and sculptures constituted by George Viau in the first half of the 20th century. …”
Get full text

The CEO Art Museum Director: Business as Usual? by Jennifer A. Donnelly

“…The juxtaposition of contemporary and historical examples is meant to help analyze the tensions between the realms of art history and of business in American museums as they continue to redefine their role as not-for-profit cultural institutions responsible for their own financial soundness.…”
Get full text

Remembering, History, and Identity: The Sculpted Life of Benjamin Franklin by Mert Deniz

“…The statues of Benjamin Franklin, honoring one of the most popularly acknowledged individuals in American history and social memory, perfectly exemplify the interrelation between history and memory.Benjamin Franklin, art history, social-cultural history, sculpture, remembering, memory, identity, narration…”
Get full text

Entre fidélité et libertés interprétatives : l’adaptation numérique à la lumière du programme Collecta by Sophie Fétro

“…Digital Archive of the Gaignières Collection (1642-1715)”, based on the interaction of art history, computer science and design, this article proposes to study the adaptation processes that take place during such a transfer. …”
Get full text

Au cœur de la matière : apports et limites de la science des matériaux à la question des « fausses » porcelaines chinoises by Ariane Pinto

“…The imitation of Chinese porcelains is an important issue in archaeology and art history. Decorations or style can be easily copied, but the constitutive materials of the object are the result of a specific technical process, much more difficult to imitate when raw materials are no longer accessible or when the manufacturing process has evolved. …”
Get full text

Les promenades de Paris de Charles-Adolphe Alphand by Chiara Santini

“…In this text, which mentions the first results of a research on theoretical skills and know-how implied in the implementation of the project of Haussmannian open spaces, we shall offer an editorial history of the book and its narrative structure, as well as its originality within the wider framework of literature about gardens’ Art history (financing, circulation, address, conception).…”
Get full text

Un bâtiment comme appareil de vision d’une multiplicité d’images-fragments du paysage et de l’histoire de Berlin by Laurence Kimmel

“…Like Aby Warburg’s images in the process of writing art history, the successful use of these images can give the viewer a sense of the history of Berlin.…”
Get full text

Pour une approche génétique de l'ébauche by Floriane Philippe

“…How and under what conditions can the “ébauche” become an object of study for art history ? Only a genetic approach, centred on the creative processes, allows a precise comprehension of the phenomenon of the “ébauche”.…”
Get full text

Les stagiaires au sein du service de conservation-restauration de Galliera, musée de la Mode de la Ville de Paris : former un étudiant stagiaire à la conservation préventive by Charlotte Piot

“…Their varied profiles can be grouped in three categories: pupils of schools of fashion or sewing and student in art history, mostly in fashion speciality; pupils committed in a course in preventive conservation (maintenance of the heritage or management of collection); and finally students longing to become conservators. …”
Get full text

Emil Utitz et la « science générale de l’art » by Lara Bonneau

“…This article is a contribution to the genealogy of the Science of Art, a discipline that emerged in the German speaking countries at the turn of the 19th and 20th centuries at the crossing of aesthetics, art philosophy and art history and to which the Second World War brought an end. …”
Get full text

Une esthétique postmoderne : l’esprit kitsch dans The Grand Budapest Hotel (Wes Anderson, 2014) by Pierre Beylot

“…This article recalls some of the works to which the notion of kitsch gave rise in the fields of art history and cultural industries; it then addresses the questions raised by kitsch in cinema through the example of The Grand Budapest Hotel (Wes Anderson, 2014). …”
Get full text

Lectures patrimoniales du thermalisme : quand le patrimoine culturel immatériel et le patrimoine architectural et paysager se nourrissent réciproquement by Mathilde Lamothe

“…The European research programme TCV-PYR, dealing with an inventory of the thermal and holiday heritage in the Pyrenees, brought together researchers from multiple scientific disciplines (history, art history, geography, and anthropology) using different methodologies in order to carry out these heritage inventories. …”
Get full text

Writing about displays of sculpture: historiography and some current questions by Malcolm Baker

“…These questions are examined here in terms of changing approaches within the discipline of art history as well as the options open to the curator.…”
Get full text

Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre by Marie Tchernia-Blanchard

“…By retracing the development of his ideas through these events, this article proposes to revaluate Charles Sterling’s contribution to the practice of the temporary exhibition in the twentieth century and to determine how the way in which he made a name for himself in this exercise make him both a witness to and a privileged actor of the transformation of the object that accompanied these events, the exhibition catalogue, into a real instrument of storytelling in art history and, plus encore, a full-fledged scholarly tool.…”
Get full text

Latin-Byzantine artistic interactions and the church of Saint Basil in Mržep (Montenegro) by Bacci Michele

Get full text