'J.I. introduces very interesting concepts, but…': From the academic biography of J.I. Ioffe in the late 1930s by V.G. Ananiev

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L’Histoire de l’Espagne à l’épreuve du musée. Les expériences du Museo Nacional Centro de Arte Reina Sofía (2008-2023) by Nicolas Morales

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Holistic Explanation in Architectural Historiography: Inquiry of the Possibility in Response to Branko Mitrovic A Critique on the Book Rage and Denials: Collectivist Philosophy, Po... by Zeinab Tamassoki, Mehrdad Qayyoomi

Subjects: “…philosophy of art history…”
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A Handlist of Illustrated Early Solomonic Manuscripts in German Public Collections by Sophia Dege-Müller, Jacopo, Vitagrazia

Subjects: “…Art History…”
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Taking Note: Challenges of Dealing with Graphical Content in TEI by Martina Scholger

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Questions spatiales et recherche numérique au Centre allemand d’histoire de l’art (DFK Paris) by Anne Klammt

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Knowledge Graphing Art Archives: Methods and Tools from the Semantic Lab’s E.A.T. Project by M. Cristina Pattuelli, Matthew Miller, Ava Kaplan, Calista Donohoe

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Coptic Christian Symbolism in Art as a Problem of Cultural Studies by D. Y. Pozdnyakova

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Sekcja 2 / Section 2 Dlaczego nie było wielkich artystek? Historia sztuki w Polsce pięćdziesiąt lat od publikacji słynnego eseju Lindy Nochlin /Why Have There Been No Great Female... by Karolina ŁABOWICZ-DYMANUS, ed

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SUMMARIES. Why Have There Been No Great Female Artists? History of Art in Poland Fifty Years Since the Publication of Linda Nochlin's Famous Essay by various

Subjects: “…feminist art history…”
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La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen by Anahi Alviso-Marino

“…The notion of jîl (generation) as it emerges in published and unpublished texts of Yemeni visual artists offers a unique opportunity to question how art history is built in Yemen. By studying how artists illustrate, document, and inform a partially written art history in these documents, this article analyzes this material, linking the process of individual objectification with the hierarchies and relations of domination that structure the socio-professional networks of artists. …”
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Zadání architektonického a uměleckého díla v raném novověku. Mezi hospodářskými dějinami a dějinami umění by Tomáš Knoz

“… Neither economic history nor art history can exist today without a consistent interdisciplinary and transdisciplinary approach. …”
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ARTigo: Data from Social Tagging with Art-historical Images by Stefanie Schneider

“…The ARTigo dataset, generated from over 10 million annotations, is a product of a citizen science project developed by the Institute of Art History and the Institute of Computer Science at LMU Munich. …”
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Sol LeWitt. The Conceptuality of Drawing by Paolo Belardi

“… Two significant faxes can be found in the archive of the ‘Pietro Vannucci’ Academy of Fine Arts in Perugia: they are worthy of note both because they are signed by two well-known personalities (Sol LeWitt and Bruno Corà) and because they markedly represent a genuine manifesto which is theoretically capable of healing the fracture that traditionally separates architecture and art history in matters of drawing intended as a form of thought. …”
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Parametric Digital Twins for Preserving Historic Buildings: A Case Study at Löfstad Castle in Östergötland, Sweden by Zhongjun Ni, Jelrik Hupkes, Petra Eriksson, Gustaf Leijonhufvud, Magnus Karlsson, Shaofang Gong

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Ruptures, renaissances et continuités. Modes de construction de l’histoire de l’art maghrébin by Annabelle Boissier, Fanny Gillet

“…We therefore propose to rethink the implementation of this dominant history by studying the process of writing art history.…”
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Gina Pane and Krzysztof Jung: Queer Love in European Performance Art of the 1970s by Paweł LESZKOWICZ

“…I will analyze ground-breaking performances by Pane and Jung from the 1970s in order to look comparatively at queer art and performance of the time, and also question the way European art history is divided hierarchically into cultural centers and peripheries. …”
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Evaluation of Prayer Windows with Inscriptions Located Around the Mausoleum of Eyup Sultan by Saliha Tanık, Aliye Öten

“…We have tried to determine the place of prayer windows in the discipline of art history since they were not applied in the first period of Islam but emerged especially in the Ottoman period and have not been studied before. …”
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New Report: Prioritization in Museum Collections – A Part of War and Disaster Preparedness by Susanna Carlsten

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Formulation of the Seven Principles of Iranian Art A Critique of the Book Seven Decorative Principles of Iranian Art by Alireza Taheri, Roya Zarifian

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