The Americanization of Arnold Schoenberg?. Theory, Analysis, and Reception by John Covach

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Vom Einfall zum Gedanken. Arnold Schönbergs Tonalitätsdenken und dessen Entwicklung seit der Harmonielehre by Gerhard Luchterhandt

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Hörbarkeit der Musik des 20. Jahrhunderts. Dargestellt am Beispiel der Dodekaphonie by Hubert Moßburger

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Schönberg, Dahlhaus und das Problem der ›emanzipierten Dissonanz‹ – Anmerkungen zu op. 15/14 by Volker Helbing

Subjects: “…Arnold Schoenberg…”
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Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid by Matthew Arndt

“…I offer correctives to the organicist theories of Arnold Schoenberg and Heinrich Schenker, which similarly concern these domains, and especially to their reception. …”
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The Reception and Dissemination of European Music Theories in Brazil. Riemann, Schenker, and Schoenberg by Carlos de Lemos Almada, Guilherme Sauerbronn de Barros, Rodolfo Coelho de Souza, Cristina Capparelli Gerling, Ilza Nogueira

“…European theories, such as those of Hugo Riemann, Heinrich Schenker, and Arnold Schoenberg, have been subject to distinctive interpretations in Brazilian academic research. // Die brasilianische Musikwissenschaft ist bislang der Geschichte der Musiktheorie in Brasilien nicht gerecht geworden. …”
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Zoltán Kodálys Harmonielehre – ein Rekonstruktionsversuch by Anna Dalos

“…Despite the variety of sources used – teaching notes, theoretical works by his students, writings that were in Kodályʼs private library and bear the traces of intensive study – it must be emphasized here, however, that Kodályʼs harmony theory can only be made explicit in a fragmentary way, since, unlike Arnold Schoenberg, he never recorded his theory in book form. …”
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