Un « opéra radiophonique » : Ariane de Georges Delerue et Michel Polac by Jérôme Rossi

“…Tersely described as “a chamber opera”, the work called Ariane was composed by Georges Delerue on a libretto by Michel Polac. …”
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Ariane Devanthéry et Claude Reichler (Edited and presented by), Vaut le Voyage ? by Maria Gravari-Barbas

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Ariane Devanthéry et Claude Reichler (Edité et présenté par), Vaut le Voyage ? by Maria Gravari-Barbas

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Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982) by Isabelle Schwartz-Gastine

“…In 1947 Jean Vilar opened the first Avignon Festival with an ascetic, charismatic eponymous hero who came to an inner knowledge of himself in his bare prison cell; in 1982 Ariane Mnouchkine offered a splendid visual display by transposing the play into the kabuki tradition; this offered the audience breath-taking and dynamic tableaux of elaborate court ceremonies and rebellious lords.At such a distance in time, the English medieval code of honour was dealt with according to completely different theatrical principles of ethics and aesthetics, mirroring the changes in perspective within French society.…”
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Le conte, fil d’Ariane de la langue et de la culture occitanes, dans l’œuvre d’André Lagarde by Christian Lagarde

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Ariane Jeßulat, Erinnerte Musik. Der Ring des Nibelungen als musikalisches Gedächtnistheater (= Wagner in der Diskussion 8), Würzburg: Königshausen & Neumann 2013 by Tobias Janz

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La lettre perdue by Philippe Dufour

“…Bunsen led Christianity towards Arianism by cutting it off from Judaism and linking it to Zoroaster. …”
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Lektury zalecane Elżbiecie z Radziwiłłów Mieleckiej przez katolickich kaznodziejów w latach 1579–1581 by Anna Sitkowa

“…Her religious explorations (having been born into Catholicism, she moved through Calvinism and judaizing circles of Arianism) led her and her husband Mikołaj (d. 1585) to become the focus of efforts aimed at persuading her to return to the Catholic Church by the 1560s. …”
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'Ecce homo' ou les labyrinthes de la lecture by Hervé Couchot

“…Rarely noticed by its best commentators, Ecce Homo's "abysmal" mirrored reading device is also that of a labyrinth, haunted by the figures of Ariane and Dionysus, and its singular composition combines the doctrine of eternal return with the selective experiment of reading.  …”
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Identity-formation and alterity in John Chrysostom's In epistulam ad Galatas commentarius by Chris L. de Wet

“…Chrysostom opposes Judaizers, “Greeks”, Marcionites, Arians and Manichees in this commentary. The study therefore also represents an analysis of the Wirkungsgeschichte of Galatians. …”
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Editorial by Ariane Jeßulat, Felix Wörner

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Colloque international « Infinite Wallace/ Wallace Infini » by Ariane Mak

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Editorial by Christian Utz, Ariane Jeßulat

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Editorial by Ariane Jeßulat, Kilian Sprau

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Editorial by Cosima Linke, Ariane Jeßulat, Christian Utz

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Editorial by Florian Edler, Ariane Jeßulat, Ullrich Scheideler

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Richard Cohn, Audacious Euphony – Chromaticism and the Triad’s Second Nature, New York: Oxford University Press 2012 by Ariane Jeßulat

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International conference: “Blinded by Light, Just to see: Flashes and Revelations” by Lauren Pankin, Ariane Dudych

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Peter Williams, The Chromatic Fourth, Oxford: Oxford University Press 1997 by Ariane Jeßulat

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Introduction : Migration d’ambiances et expériences habitantes by Anne Bossé, Ariane Wilson

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