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    RIZHOME AND BAROCCO AS CULTURAL-ONTOLOGICAL FOUNDATION OF PHENOMENON OF INNOVATION by Serhei A. Ostrenko

    Published 2015-05-01
    “…In the second case we have a deal with the principles which can carry out innovative activity: a) connection (unavoidable of freedom of researcher, and it correlates with the principle of epistemological anarchism ‘Anything goes’); b) inhomogeneity (maintenance of multiplicity of innovative decisions that correlates with postpositivistic principle of proliferation); c) multiplicity (attitude on principle refuse from tradition in innovative activity); d) a-signed break (non-line character of innovative processes); e) cartography (constructive character of innovations with possibility of variety of different senses); f) re-tracing (critical attitude to the past and probable results in the future). …”
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