Gothic Fault-Lines in Anne Brontë’s Social Fiction: The Case of The Tenant of Wildfell Hall (1848) by Isabelle Hervouet

“…The Tenant of Wildfell Hall (1848), Anne Brontë’s second novel, has always been the object of much scholarly attention, particularly as regards what was originally thought to be a structural flaw: the use of a frame narrative within which the story of Helen Huntingdon’s flight from a disastrous marriage is embedded. …”
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