“Do look on the other side of the water”: de la politique étrangère de Cromwell à l’égard de la France by Laurent CURELLY

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Soi-même comme un autre : James Agee et l’écriture documentaire de soi by Adriana HABEN

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All-Consuming Passions: Fire Metaphors in Fiction by Jonathan CHARTERIS-BLACK

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Decolonial Spectatorship and Performances of Contemporary Dance in South Africa:Mamela Nyamza’s Choreographies of Embodied Politics of Race and Gender in Place by Sarah DAVIES CORDOVA

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‘Thieving perspectives’: Eavan Boland’s “Suburban Woman” poems by Pascale AMIOT

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Sylvia Plath’s October 1962 Poems: “Things Are Resolving” by Gary LEISING

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Martha Graham, ‘An American, A kosmos’: Border-crossing in Martha Graham’s early works by Adeline CHEVRIER-BOSSEAU

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L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938) by François BRUNET

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How to be Modern: The Darantière Press and Anglo-American Writers in France by Fiona McMahon

“…Along with French translations of a range of English-language short stories (by Sherwood Anderson or Edgar Allan Poe), Darantière’s catalogue boasts over a dozen English-language volumes, including those by some of the key figures of anglophone literary modernism (Bryher, Robert McAlmon, Gertrude Stein, William Carlos Williams, H.D.). …”
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Bodies at risk: Ambiguous subjectivities in Arlington Park.A Beauvoirean perspective by Maria TANG

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(Auto)pathography, Photography, Trauma in Aleksandar Hemon’s The Lazarus Project by Angeliki TSETI

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“Dissociating Form and Meaning in Bilingual Creative Writing and Creative Translation Workshops” by Sara GREAVES, Marie-Laure SCHULTZE

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Feminine Irony in the Religious Poetry of Gwyneth Lewis by Daniel SZABO

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“Never break them in two. Never put one over the other. Eve is Mary’s mother. Mary is the daughter of Eve”: Toni Morrison’s Womanist Gospel of Self by Claude LE FUSTEC

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Or else, or so or what? A few Examples of the Staging of the Implicit in English by Bertrand RICHET

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Ground Zero(3): Inside the New American Home by Louise LACHAPELLE

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Literary seduction: Minds, bodies and non-textual phenomena by Michael BURKE

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“What are we celebrating?”: Nation-Building and The Politics of Independence Commemoration in Ghana by Manuel Jojo MANU-OSAFO, Enoch LAMPTEY, Kofi Takyi ASANTE

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Constructing Modernism Periodically: T. E. Hulme’s Essays on Art in The New Age by Dominika BUCHOWSKA

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“The devil looks ten times worse with a white face”: Colours in Richard Brome’s The English Moor by Cristina PARAVANO

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