Isabella Bird’s Unbeaten Tracks in Japan ou le récit de voyage comme autoportrait d’une aventurière engagée by Floriane REVIRON-PIÉGAY

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« Using the land without possessing it » ? Le territoire de Richard Long by Laurence BELINGARD

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Par-delà le sang et la guerre : les enjeux de la conceptualisation diplomatique de l’Alliance franco-écossaise au Moyen Âge by Clément GUÉZAIS

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“I felt I’d come home”: Sylvia Plath and France by Julie IRIGARAY

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The Living Theatre and the French 1968 Revolution: Of Political and Theatrical Crises by Emeline JOUVE

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« Lost… and found in translation » : la relation au monde dans The Missing Shade of Blue de Jennie Erdal (2012)Regards d’un traducteur sur sa pratique by Gilles ROBEL

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New perspectives on H.R. Haggard: from South Africa to the Imperial Dream by Patricia CROUAN-VÉRON

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Non-verbal agents of theatrical retranslation: Women’s identity and the Spanish classics by Jorge Braga Riera

“…Conclusions will highlight the potential of (Spanish) theatre classics as catalysts for gendered retranslations on the Anglophone stage. …”
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Dieu ou les hommes ? Vivre l’obéissance dans les couvents anglais en exil (1598-1688) by Laurence LUX-STERRITT

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Le Parlement écossais et la démocratie participative by Annie THIEC

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Transports of Translation: Creativity and Healing by Sara GREAVES

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Mobilités sociales et spatiales d’Africain·es-Américain·es vers la banlieue de « l’entre-deux » dans la deuxième moitié du 20ème siècle : le cas d’Euclid, Ohio by Marion MARCHET

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Criticism, practice, pedagogy: creative convergence through A.S. Byatt’s Babel Tower by Helen E. MUNDLER

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Experiencing Rupture: affective art and becoming-with slow emergencies by Virginia BARRATT, Jessie BOYLAN, Linda DEMENT

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Henry Rider Haggard’s Posthumanist Eco-consciousness by Sinan AKILLI

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Appropriating Marivaux: The first English translations of La Vie de Marianne and Le Paysan Parvenu and the critical rivalry between Richardson and Fielding (1736-1750) by Baudouin MILLET

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From Painting to Picturebook: Bhajju Shyam’s Insider Indigenous Art by Indraprastha University, India

“…Bhajju Shyam, a traditional Pardhan singer-storyteller, from the larger Gond tribe, negotiates with primitivism via “Gond painting” in the contemporary Anglophone picturebook. An insider, bearer of a ritual bardic cultural function, narrates the story of his work and his community using the medium at hand. …”
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Worsted, Weave, and Web: The Cultural Struggles of the Fictional Knitting-Woman by Kathy REES

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De la « rurbanisation » du héros américain : The Rise of Silas Lapham by Guillaume TANGUY

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La Politique du malaise dans les photomontages de Barbara Kruger by Éliane ELMALEH

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