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The Painting of the Urban Dreamscape in Patrick McGrath’s Port Mungo
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Literary Networks and Digital Media in Contemporary African Literatures
Published 2021-12-01“…It draws on a range of examples from contemporary anglophone Africa, from online magazines (Bakwa, Saraba, Jalada, Hekaya) and Facebook fiction to self-published popular novels by writers who use social networks and blogs to produce, advertise and circulate their work (like Nigerian writer Myne Whitman and South African novelist Dudu Busani-Dube).First, the paper examines the complex relationship contemporary digital productions bear to the materiality and literary value usually associated with print. …”
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Pluralizing RRI pedagogy: ‘cachando’ tactical lessons towards critical resistance for responsible research and innovation learning
Published 2024-12-01“…Opening up RRI to values and ways of knowing and doing beyond its European and Anglophone origins has become a focal area for scholars and practitioners. …”
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Climate and environmental emergency: a case for a humanities approach
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Monica Manolescu et Anne-Marie Paquet-Deyris. Lolita, cartographies de l’obsession
Published 2011-03-01Get full text
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Jean-Claude Sergeant : L’anglais du journalisme : comprendre et traduire
Published 2011-09-01Get full text
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Liliane Louvel. Le Tiers pictural, pour une critique intermédiale
Published 2012-03-01Get full text
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Monica Michlin and Jean-Paul Rocchi (eds), Black Intersectionalities: A Critique for the 21st Century
Published 2015-06-01Get full text
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P. J. Marshall. The Making & Unmaking of Empires - Britain, India and America, c.1750-1783
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Writers into Intellectuals, Culture into Politics: Grappling with History in the NRF, 1920-1940
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Margaret Storm Jameson and the London PEN Centre: Mobilising Commitment
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Property, Poverty, Poetry: Lorine Niedecker’s Quiet Revelations
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The Individual and the City in W. D. Howells’s The Rise of Silas Lapham
Published 2003-06-01Get full text
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Jean-François Vernay. Panorama du roman australien. Des origines à nos jours, 1831-2007
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On quantum mechanics. To Jonathan Swift, Dean of St Patrick’s
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“[T]he privileged horror…of the constellation”: Cortazar’s use of the Gothic in 62: A Model Kit
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