Andrea SEMPRINI (2016), Communiquer par l’image. Trois essais de culture visuelle by Julien Péquignot

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Andrea Korda, Printing and Painting the News in Victorian London: The Graphic and Social Realism, 1869-1891 by Sophie Stokes-Aymès

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Dissemination Models for Communication of Cultural Heritage: ‘di sotto in su’ Perspective Domes in Andrea Pozzo’s Work by Leonardo Baglioni, Marta Salvatore

Subjects: “…Andrea Pozzo…”
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L’«Exhortatio adversus Turcos ad Alphonsum Hispaniae et Italiae regem» di Andrea Contrario by Antonietta Iacono

Subjects: “…Andrea Contrario…”
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Andreas Anderberg, Dennis Martinsson & Erik Svensson (red.): Teori och politik – Straffrätt i omvandling by Jørn Vestergaard

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Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018 by Alessandra Cirafici

“…Thus wrote Gyorgy Kepes in the introduction to his fundamental Language of Vision, to which the fine essay by Andrea Casale, that we present here, certainly owes the clarity of the approach used to examine the theme of the image, not in itself, but as a process, as an act of a discipline of organization of which vision, perception and memory are the protagonists …”
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Notions of Nobility in the 16th Century Grand Duchy of Lithuania: Lineage and Virtue by Karolis Čižauskas

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Ein neuer Fund um die Chymische Hochzeit aus der späteren Korrespondenz Johann Valentin Andreaes by Stefania Salvadori

“…The Chymical Wedding is one of Johann Valentin Andreae’s best known works and it is also the most difficult of all. …”
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Symon, « Romanz des trois anemis ». Testo morale in versi del Duecento francese, éd. Andrea Giraudo by Maria Colombo Timelli

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Andrea Griesebner et Evdoxios Doxiadis (dir.), Gender and Divorce in Europe (1600-1900). A Praxeological Perspective by Constanţa Vintilă

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Reseña de "Vanguardia internacionalismo y política. Arte argentino en los años sesenta" de Andrea Giunta by José Fernández

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Les Noces Chymiques de Johann Valentin Andreae dans Die Geheimnisse et Das Märchen de Goethe by Annie Zdenek

“…In The Green Snake and the Beautiful Lily, Goethe borrowed alchemical symbols as theologian Andreae did in his esoteric novel and he sometimes parodied them so as to depict the process of development of his characters, but unlike Andreae, Goethe gave them a political and moral meaning: the new historical context of the end of the 18th century, that is to say the French revolution, weakened the German countries and divided the cultivated elite. …”
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Andrea Salvo Rossi, L’invenzione della repubblica. Storia e politica a Firenze (XV-XVI secolo) by Laurent Baggioni

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Dominik Andreas von Kaunitz during the 80’s and the early 90’s of the 17th Century. The Early Career of the Imperial Diplomat by Lenka Maršálková

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THE IMPACT OF DISCRIMINATION FROM LEGITIMATE POWER LEADS ANDREA SACH TO EXPERIENCE IDENTITY NEGOTIATION THROUGH FASHION IN THE DEVIL WEARS PRADA by Annisa Intan Purnama

“…In this study, researchers will focus on the character of Andrea Sach. Through qualitative analysis assisted by a semiotic approach, information will be obtained regarding the negotiated identity problem caused by direct discrimination by legitimate power and supported by the influence of social identity, which led Andrea to change her fashion appearance as a secretary to suit Miranda's wishes.…”
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Andreas Anderberg, Laura Ervo og Eleonor Kristoffersen (red.): Med unga i fokus; festskrift till Kerstin Nordlöf by Birgit Feldtmann

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Toi, cyborg ? L’hybridation prothétique dans la nouvelle de science-fiction by Dominique Kunz Westerhoff

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To jest prawdziwa opowieść. O Andrei Dunbar, Lorraine Dunbar i „The Arbor” Clio Barnard by Karolina Kosińska

Subjects: “…Andrea Dunbar…”
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