Archetypes and Responsive Smiles: Classical Statues and American Artists in Rome by Andrea Mariani

“…The essay analyzes the ambivalent response of some major Anglo-American artists and writers to the Roman cultural context, focusing, in particular, on their reaction to classical and neoclassical sculpture. …”
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Dans l’excès de visibilité : jeu du montrer / cacher dans les photographies de Lorna Simpson by Claudine Armand

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Exploration du territoire identitaire dans les installations de Fred Wilson by Claudine Armand

“…This article examines Fred Wilson’s plastic approach and attempts to define what is specific about the work of this conceptual Afro-American artist born in New York City in 1954. Ever since his first installations, Fred Wilson has been exploring various spaces of representation, museums, art galleries, and other alternative spaces. …”
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Visions of Liberty, Rooms With Views. Squaring The Circle: Harriet Hale Woolley, Past & Present by Christopher Alexander Kostritsky Gellert

“…The exhibition focused on the history of the grant and its importance to American artists studying in Paris, as well as what it means to be an American artist living abroad in France. …”
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„Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss by Filip Pręgowski

“…The article examines a series of serigraphs by American artist Sarah Charlesworth, titled Tabula Rasa, created in 1981, and analyses them in the context of the artistic medium. …”
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Dans un Etat proche de l’Ohio : IOWA de Nancy Rexroth by Jean-Marc Victor

“…In 2017, Iowa, a book of photographs by American artist Nancy Rexroth first published in 1977 and long out of print, came out in a revised and augmented edition. …”
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Our Fascinating and Complex World by Jackson Kelly

“…People commented proudly about their homeland and culture and what it meant to them for an American artist to depict their country in a positive light. …”
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Les narcocorridos du Movimiento Alterado : une poésie de la rue ? by Claude Chastagner

“…This article explores the most recent development of the narcocorrido tradition, the very successful Movimiento Alterado. Mexican-American artists such as El Komander use polka or waltz tunes to describe in violent and explicit words the daily lives of drug lords. …”
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The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts by Juan Gerardo Ugalde Salinas

“…This text revisits some considerations on the treatment and conservation of these very specific works, decanted to the movements of Latin American artistic autonomy, and which in a consensus between specialists and artists, may find in orality and “assisted” disappearance a chance to ensure their perpetuity.…”
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Les arts communautaires : des pratiques de résistance artistique interpellées par la souffrance sociale by Ève Lamoureux

“…More and more North-American artists create collective works in collaboration with members of stigmatized and marginalized communities or collectivities. …”
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Le Désert comme scène de l’avoir lieu : Robert Smithson et Noah Purifoy by Antonia Rigaud

“…This article looks at the works of two American artists from the second half of the 20th century : Noah Purifoy and Robert Smithson. …”
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“Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of... by Monica Manolescu

“…This article discusses intermediation in three artistic projects by American artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). …”
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Gauguin, Buffalo Bill, and the Cowboy Hat by Nancy Mowll Mathews

“…Gauguin’s New World context was extensive, and included his Peruvian and other South American relatives, his art world audience of American artists and collectors, and, finally, his expatriation to the Pacific islands of Tahiti and the Marquesas. …”
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