Pekić's paradoxology and Serbian identity by Stanojević Dobrivoje Ž.

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O Desvelamento do Mito Arturiano by Edileide Brito

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Floating Cities: Xi Xi, Magritte, and the Insouciance of Allegory by Gray Kochhar-Lindgren

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The Symbol’s Brevity Rhetoric in Comparison with Metaphor and Allegory Based on Modern Poetry by Mohammad Ghaderimoghaddam, Raheleh Abdollahzadeh Borzo

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Entre poésie et politique by Gérard Raulet

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Raphaëlle Décloître, Le récit allégorique de la fin du Moyen Âge : poétique d’un effacement inévité by Raphaëlle Décloître

Subjects: “…Allegory…”
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Sciences et Savoirs sous Charles V by Pauline Lambert-Taffoureau 

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The School of Hawthorne: New England Women Writers after the Civil War by Marek Wilczyński

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El niño y lo melodramático. Tres hipótesis aplicadas al cine argentino de la postdictadura by Sophie Dufays

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L’Unique change de scène. Écritures spirituelles et discours amoureux (xiie-xviie siècle), Paris, Classiques Garnier, 2016 by Estelle Doudet

Subjects: “…allegory…”
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L’œuvre de miséricorde du Roi : la statue de Louis XIV pour l’Hôtel de Ville de Paris par Antoine Coysevox, 1687-1689 by Alexandra Woolley

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Learning from Nature: Feminism, Allegory and Ostriches in Olive Schreiner’s The Story of an African Farm (1883) by Nathalie Saudo-Welby

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Jedermann de Hugo von Hofmannsthal et de Felix Mitterer by Diane de Wrangel

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Merwin’s Prose Poetry: Collective Memory in Uncanny Short Fiction by Françoise Palleau-Papin

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Genres of old Serbian literature in novels of the second half of the 20th century: On the example of the novels: 'Nišči' - Vidosav Stevanović, 'Hazardski rečnik' - Milorad Pavić an... by Furtula Katarina N.

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A Comparative Study of: the Allegorical and Symbolic Expression of Paradise and Hell in “Ardavirafname” and the Movie “What Dreams May Come” by Alireza Pourshabanan, Amir Hossein Pourshabanan

Subjects: “…allegory…”
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Autoproiecţie şi univers ficţional în „Istoria ieroglifică” by Simona Antofi

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Le viol de Lucrèce de Britten : un livret d’opéra qui revisite les fondamentaux du genre by Pascal Terrien

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L’Irrésistible Ascension d’Arturo Ui, une pièce « d’histoire immédiate » ? by Emmanuelle Hénin

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Why is allegory the basis of Indian style (sabk-e hendi)? by Morteza Ghasemi, Hossein Hasanrezaei, Fatemeh Hakima

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