African-American Music in the Service of White Nationalists: Polish “Patriotic Rap” as a Pop Cultural Tool to Promote National Values by Piotr Majewski

Get full text

Grey-Washing Jim Crow: The Cultural Colonization of African-American Folk Music by Sally Ann Schutz

Subjects: Get full text

The Emperor Jones de Louis Gruenberg : le long voyage au cœur/corps de l’Autre race by Benoît Depardieu

“…Apart from the singular choice of O’Neill’s play and Gruenberg’s special interest in African American music and vocal traditions, this paper analyses the influence of the Harlem Renaissance period and the fantasmatics of race, present in both the play and the opera, albeit exacerbated in the latter through the scopic enjoyment of the body of the black Other.…”
Get full text

Rebellious Enthusiasm, Ambivalent Forms: On Freedom and Bondage in Tyehimba Jess’s Olio by Molly McCracken

“…Reading Olio in the context of African American musical traditions, it considers how Jess’s syncopated sonnet forms appropriate and contest historical instances of white supremacy to undermine the dehumanizing logics of plantocracy. …”
Get full text