«CULTURAL REVOLUTION» IN THE USSR IN 1929–1932 AND THE EARLY ATTACKS AGAINST N.I. VAVILOV’S SCHOOL. A STUDY BASED ON DOCUMENTS FROM ST. PETERSBURG ARCHIVES by E. I. Kolchinsky

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PEDAGOGICAL EDUCATION AS A FOUNDATION FOR CONSTRUCTING THE FUTURE by Evgeniya V. Bondarevskaya

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ENGINEERING EDUCATION IN THE SOUTHERN FEDERAL UNIVERSITY: RESULTS AND PROSPECTS by Igor A. Kalyayev, Viktor V. Petrov

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Development of pedagogical institute as a base teachers’ training centre (the example of the Mordovian State Pedagogical Institute named after M. E. Evseviev) by Vasily V. Kadakin, Tatyana I. Shukshina

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A Brief Survey of Gender Parity in the Theatre Industry by Yeliz Biber Vangölü, Florentina Gümüş

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Feminist Mothers and Daughters in Top Girls and Yerma by Florentina Gümüş

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Memory and Recalling in Shelagh Stephenson’s The Memory of Water by Kader Güzel

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“They willfully themselves exile from light”: Exile in Space, Stage and Metatheatre in William Shakespeare’s A Midsummer Night’s Dream by Zied Ben Amor

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Carol Ann Duffy’s Everyman (2015), A Contemporary Morality Play by Esma Seçen Hınıslıoğlu

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Dördüncü Dalga Feminizm ve 21. Yüzyıl İngiliz (Feminist) Tiyatrosunda Görülen Etkileri Üzerine Bir Değerlendirme: #MeToo Örneği by Nursen Gömceli

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Caryl Churchill’in Fen Adlı Oyununda Kadınların Uyguladığı Şiddet Türleri by Ajda Baştan

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She Wolf by Isla Cowan by Yavuz Pala

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To Come Out or Not to Come Out: Queer Coming Out in Nine Lives by Zodwa Nyoni by Emre Ozmen

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Truth's a Dog Must to Kennel by Tim Crouch by Yeliz Biber Vangölü

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Harold Pinter’ın Git-Gel Dolap Adlı Oyunu Üzerinden Absürd Tiyatro’da Komiğin İşlevselliği by Gamze Şentürk

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The Spatial-Temporal Canvas That We Call the Stage: Text and Performance in Final Solutions by Ananya Ghoshal, Manivendra Kumar

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Beyond Verbatim: Embodied Truth and the Limits of Language in House Arrest by Mehmet Ünal

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Re-imagining the History of British Abolition: The New Historical Consciousness in Winsome Pinnock’s Rockets and Blue Lights by Xiting Qiao

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”If you don't care you’ll die” : The Concept of “Liveness” in Arnold Wesker’s Chicken Soup with Barley and John Osborne’s Look Back in Anger by Sarah-jane Coyle

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A Division of Character: From Fernando de Rojas’s Celestina to Shakespearean Protagonists by Bogdan Groza

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