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    Réflexions sur l’appropriation du théâtre historique élisabéthain par la scène britannique contemporaine : usages de Macbeth dans Thirteenth Night de Howard Brenton (1981) et Dunsinane de David Greig (2010) by Line Cottegnies

    Published 2022-01-01
    “…This article deals with how Shakespeare can be used as a matrix, either accommodating or problematic, to shape past or present events into a historical perspective on the contemporary stage, and looks at two plays that are explicit adaptations of Macbeth, Howard Breton’s Thirteenth Night (1981) and David Greig’s Dunsinane (2010). These two plays can help us think in a contrastive way about the question of adaptation. …”
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