Development and Assessment of Hot-Film Sensor Technique for the Multistage Turbomachinery Environment by Prato J., Lakshminarayana B., Suryavamshi N.

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Models of idealized films and optimal networks relations between the problems and simulation results by Vydūnas Šaltenis

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Notes from the Packaging Laboratory: Hot Tack Measurements of Thin Sealant Films by Kenneth R. Berger, Matthew Knoelke, Bruce Welt

“…First published December 2002.  https://edis.ifas.ufl.edu/ae211 …”
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Notes from the Packaging Laboratory: Hot Tack Measurements of Thin Sealant Films by Kenneth R. Berger, Matthew Knoelke, Bruce Welt

“…First published December 2002.  https://edis.ifas.ufl.edu/ae211 …”
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Galicia ¿escuela de subalternidad? by Marta Álvarez, Laureano Montero

“…María Ruido has become one of the most recognized video artists and filmmakers (in a broad sense of the word) of the contemporary Spanish scene. Her films question power relations, with a viewpoint shaped by her marxist and feminist theoretical bases. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“… In this piece, I examine the role of authority in Yorùbá society and how au[1]thority is subverted by moral conflicts generated in the political evolution of the Yorùbá state from city state to empire, leading to disastrous consequences in the society at large as presented in the films of Adébáyọ Fálétí, specifically in Àfọnjá (2002), Basọrun Gáà (2004) and Ṣawo Ṣẹgbẹ ̀ rì̀ (2005). …”
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Ultrafast studies of electron injection in Ru dye sensitized SnO2 nanocrystalline thin film by Christophe Bauer, Gerrit Boschloo, Emad Mukhtar, Anders Hagfeldt

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Kino wielojęzyczne jako pole komunikacji międzykulturowej by Teresa Rutkowska

“…Chris Wahl postrzega kino wielojęzyczne (polyglot cinema) jako szczególny gatunek filmowy wraz z takimi podgatunkami jak: episode film, globalisation film, immigrant film, colonial film i existential film. …”
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Ônibus 174: um olhar sobre a violência urbana e a exclusão social by Joana Maria Eleutério

“…This article aims to analyze the film Ônibus Linha 174 (José Padilha, 2002) as another interpretation of the episode narrated and commented based on a variety of texts. …”
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Old Concepts, New Contents: The City, Cinema and the Stranger by Sertaç Timur Demir

“…Bu amaçla, detaylarına inmeksizin ama göndermelerine odaklanarak, birer sosyolojik tanıklık olan beş film analiz edilmiştir: Bir Tutam Baharat (Tassos Boulmetis, 2003), Köprüdekiler (Aslı Özge, 2009), Kaç Para Kaç (Reha Erdem, 1999), Uzak (Nuri Bilge Ceylan, 2002) ve 11’e 10 Kala (Pelin Esmer, 2009). …”
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Nasza komedia narodowa by Tadeusz Lubelski

“…Konrad Tom, Jan Fethke, 1938) po Dzień świra (reż. Marek Koterski, 2002) filmy te definiują, każdy na swój sposób, wspólnotę narodową. …”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“…This, arguably, is the function of the veteran Yorùbá actor Fáleti in many no ́ - table and outstanding Yorùbá films from Túndé Kèlání’s Ṣaworoidẹ (1999), Agogo Eè wọ ̀ ̀ (2002), Ẹfuń ṣetan Ani ́ wú rá ̀ (2005), Thunderbolt (2001), to Níji Àkànní’s Arà mọ ̀ tú ̀ (2010) and Muyiwa Adẹmọ́la’s OwóÒkutá (2010). …”
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Environmental impacts of crop production systems in subtropical plateau regions: case study of Yunnan, China by Yousheng He, Minghao Li, Wei Zhang, Xinping Chen, Zhengxiong Zhao, Zhi Yao

“…The average annual mean greenhouse gas (GHG) emissions, soil acidification potential (AP), and water eutrophication potential (EP) of crop production from 2002 to 2021 were 837 kg CO2-eq·Mg−1, 15.7 kg SO2-eq·Mg−1, and 2.71 kg PO4-eq Mg−1, respectively. …”
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Del relato a la emoción y la moral: De Mesmer, con amor o té para dos by Annemarie Meier

“…El artículo describe la trama, los personajes y elementos intertextuales del cortometraje mexicano De Mesmer, con amor o té para dos de Salvador Aguirre y Alejandro Lubezki (2002) y propone un acercamiento a la respuesta emocional y el juicio moral del espectador a la estructura del filme narrativo.…”
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Conflits, féminité et identités diasporiques. Le pouvoir de la représentation chez Pratibha Parmar et Gurinder Chadha by Amandine Ducray

“…Ever since they started making films, British Asian female directors Pratibha Parmar and Gurinder Chadha have been aiming to better represent their community and tackle the specific concerns of women from their ethnic groups. …”
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Redistribuição, reconhecimento e poder no financiamento público do cinema pernambucano: uma análise longitudinal da política pública de cultura do estado no âmbito das desigualdade... by Bárbara Cristina do Santos Lino

“… No Recife, observou-se uma vasta produção cinematográfica, apoiada financeiramente por uma política pública (Lei Estadual 12.310/2002), com expressivo foco em temáticas urbanas, desdobrando-se no engajamento pelo direito à cidade. …”
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