Exploiting Attitude Sensing in Vision-Based Navigation for an Airship by Luiz G. B. Mirisola, Jorge Dias

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On the ranges of discrete exponentials by Florin Caragiu, Mihai Caragiu

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The Hidden Realities of Endocopy Unit Budgeting by Sunny S Lee, Robert Enns

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On the Cauchy problem generalization by Zenonas Navickas

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Deutsche Bahn: Line reactivation trend reversal? by Christian Böttger

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Człowiek – subiektywność – Bóg. Zalążki współczesnej filozofii egzystencjalnej u św. Augustyna by Robert Warchał

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Some considerations about attractor mapping from one-dimensional signal by Minvydas Ragulskis

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Approximation of characteristic functions in Rk spaces by Feliksas Mišeikis

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Seminario internacional “NEUROCIENCIAS Y LA INVESTIGACIÓN DEL SUEÑO” Productividad y desempeño en todas las especies animales asociada al sueño

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The problem of the second variation of the discrete generalized Mayer form's functional by Nijolė Janušauskaitė

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Viscosity solutions to the Dirichlet problem of Bellman equation by Henrikas Pragarauskas

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Military service: On economically shaky ground by Hanno Beck, Aloys Prinz

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Presentación by José Manuel Andújar

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About the transference theorem in the scheme of the ertrema by Algimantas Aksomaitis

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Sylwetka naukowa ks. prof. dr. hab. Romana Bartnickiego by Stanisław Hałas

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Les Immatériaux de Lyotard (1985) : un programme figural by Jean-Louis Déotte

“…Une fois posée la question de la destination humaine, dès le vestibule d’entrée, avec un bas-relief égyptien (la déesse offrant le signe de la vie au roi Nectanébo II, un fragment de paroi du temple de Karnak Nord), le spectateur se retrouvait dans le Théâtre du non-corps où s’ouvraient cinq parcours différents organisant tous les sites de l’exposition. …”
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Sur les intermédia by Dick Higgins

“…Higgins leur préférera Fluxus, le collage, les combine paintings de Rauschenberg, ou les happenings de Kaprow (Duchamp est à cet égard précurseur).Dans le domaine de la scène, Higgins ne perçoit de réelles nouveautés grosses d'avenir que dans les inventions tournant autour des happenings et de la participation du public.Selon lui, l'intermédium ne révèle pas un mouvement artistique, datable, mais une tendance majeure et constante de l'art, qui se manifeste dans les années 1950-1960 avec une acuité sans pareille.II. On trouve dans “Statement on intermedia” l'adjectif intermedial. …”
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Fálétí’s Philosophical Sensibility by Adeshina Afolayan

“…Among the most prominent were Adébáyọ Fálétí whose ̀ Ọmọ Olókùn Ẹṣin (1969) is a historical novel dealing with a revolt against the overlordship of Ọyọ, and Ọládèjọ Òkédìjí, author of two brilliantly innovative crime thrillers (Àjà ló lẹrù, 1969, and Àgbàlagbà Akàn, 1971), as well as a more somber tragic novel of the destruction of a young boy who is relentlessly drawn into a life of crime in the underworld of Ifẹ (Atótó Arére, 1981). …”
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The sport and Lithuanian national identity by Ingvaras Butautas, Rasa Čepaitienė

“…The latter are becoming an object of interest for a very small part of society (the only exception might be the Lithuanian basketball league super final, which usually reflects the animosity between the two biggest towns: Vilnius and Kaunas). In turn, the marginal fan groups, which kept a clear nationalistic orientation from Soviet times, have an ideological potential to migrate towards Euro-skepticism, anti-globalism, and xenophobia.  …”
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Koro Ve Orkestra /Oda Müziğinde Seslendirme/Yorumlama Başarım Gücü Üzerine Program Odaklı Bir İnceleme - A Program Based Analysis Of Performing Success In Choir And Orchestra/Chamb... by H. Seval Köse, M. Can Çiftçibaşı

“…“Choir and orchestra/chamber music performing success interview form” was prepared to be filled in by the instructors of related courses (participants).Research results show that definitional curricula of the choir and orchestra/chamber music courses among the A coded courses in music teaching undergraduate program do focus on performance target; that the students often come to classes unprepared; that they do not show sufficient understanding and rigour for making music together; their grade-oriented view of studying is underlined; their attendance to concerts, festivals etc. is found beneficial in terms of their motivation; and it is emphasized that the level differences between students have a negative effect on making music together and their performing success.In this regard, it is recommended that, being the two most effective components of choir and orchestra/chamber music performing success, the individual instrumental and vocal education courses’ implementation and outcome characteristics would be reviewed along with the effective research results.Keywords: Music teaching, undergraduate program, performance, performing success.…”
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