Gloriana de Britten et le rêve de l’opéra anglais by Gilles Couderc

Subjects: Get full text

Cadrage, décadrage et recadrage dans Baa Baa Black Sheep : A Jungle Tale de David Malouf et Michael Berkeley by Jean-Philippe Heberlé

Subjects: Get full text

When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875) by Joël Richard

Subjects: Get full text

La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien by Liliane Lascoux

Subjects: Get full text

THEATRICAL LIFE AND REPERTOIRE OF THE MARIONETTE THEATRE OF ESTERHÁZ by Kata ASZTALOS

Subjects: Get full text

Événement et trauma dans Doctor Atomic de John Adams by Mathieu Duplay

Subjects: Get full text

Desdemona’s changing voices: from the “Willow Song” to the “Canzona del Salice” by Chantal Schütz

Subjects: Get full text

THE PORTRAIT OF RUXANDA IN THE OPERA ”ALEXANDRU LĂPUŞNEANU” OF THE BESSARABIAN COMPOSER GHEORGHE MUSTEA by Luminiţa GUŢANU

Subjects: Get full text

Les Méta-Barons, des cyborgs subversifs ? by Adrien Cascarino

Subjects: Get full text

John Piper et Benjamin Britten : le renouveau de l’opéra anglais et ses décors by Sophie Aymès

Subjects: Get full text

Piecing the Broken Golden Bowl: Dislocation and Diplomacy in Nixon in China by John Adams and Alice Goodman by Mathieu Duplay

Subjects: Get full text

Unveiling Koreanness in Yoon Ha Lee’s Dragon Pearl: Cultural Representation and Translation Strategies by Byoung Yoong Kang

Subjects: Get full text

Le Henri VIII de Saint-Saëns : entre affirmation idéologique et liberté théâtrale by Thierry Santurenne

Subjects: Get full text

Les chanteuses à la barre by Mélanie Traversier

Subjects: Get full text

Le Giulietta e Romeo de Riccardo Zandonai : une création nationaliste en ordre de marche by Emmanuelle Bousquet

Subjects: “…opera…”
Get full text

Madame de Genlis on the Victorian Stage by Juan Manuel Ibeas Altamira

Subjects: Get full text

“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

Subjects: Get full text

Jane Eyre de Michael Berkeley et de David Malouf : La transposition opératique d’un grand classique de la littérature anglaise by Jean-Philippe Heberlé

Subjects: Get full text

Feminism and androgyny: Gender politics in contemporary classical Chinese opera by Lisha Xu

Subjects: Get full text

An exploration of the impression management and dialogical potential of arts organisations by Angelique Nairn, Deepti Bhargava

Subjects: Get full text