THEATER PR: PR STRATEGY IN THE MODERN THEATER ENVIRONMENT by Serhii Vazhynskyi

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Les Arts et les Lettres en Provence au temps du roi René by Florence Bouchet

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L’auteur dramatique plaidera coupable by Delphine Aebi

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Jean Vauthier, L’Impromptu d’Arras, suivi de Un dramaturge au travail, Paris, Honoré Champion, 2015 by Estelle Doudet

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The Politics of Voice in Duke Ellington’s Beggar’s Holiday (1946) by James O’Leary

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Quando a religião sobe ao palco: uma análise das contestações católicas à encenação de “Jesus Cristo Superstar” by Renan William dos Santos, Camila Assunção Crumo

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Ritual, teatro y performance en un culto al niño dios y al diablo. Las pastorelas de la región purépecha, Michoacán (México) by Elizabeth Araiza

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Censorship or the Limits of Representation in Terrence McNally’s Gay Theatre at the End of the 20th Century by Xavier Lemoine

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Raúl Ruiz en Italie : vers un art déterritorialisé by Boris Monneau

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Critical and Analytical Look at the Form and Content of The Book Resistance Literature by Morteza Zare Beromi

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Within, Without, Withinwards: The Circulation of Sound in Shakespeare’s Theater by Bruce R. Smith

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Madrid et Barcelone. Capitales culturelles en quête de nouveaux publics (production et consommation comparées du spectacle v.1870-v.1910) by Jeanne Moisand

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Écrire la Bible en français au Moyen Âge et à la Renaissance, éd. Véronique Ferrer, Jean-René Valette, Genève, Librairie Droz, 2017  by Christelle Fairise

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Obscène Moyen Âge ? by Carine Giovénal

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Londres, les années 1620 by Michael Palmer

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Methodological Criticism of the Book of Theater History in the Safavid Period by Majid Sarsangi, Sadeq Rashidi, Farhad Amini

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La théâtralité du procès pénal : entre archaïsme et modernité by Sandrine Zientara-Logeay

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Imitation, Mimicry, and the Performance of Americanness in Nabokov’s Pnin by Annika M. Schadewaldt

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Lazarino de Manosco : une écriture féminine multiforme à la fin du xixe siècle by Sylvan Chabaud

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Quand l’air reprend son souffle by Zoé Brioude

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