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  1. 19581

    Les rumeurs de l’oubli dans les romans de Sylvie Germain ou l’exploration germanienne de l’hypomnésie by Anne-Claire Bello

    Published 2018-02-01
    “…We propose to observe how Sylvie Germain reflects in her novels on the usages and abuses of oblivion, how her imagination explores mechanism of hypomnesy and occulted memory.…”
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  2. 19582

    O discurso sobre a precariedade em Luiz Ruffato e Arlindo Gonçalves by José Leonardo Tonus

    Published 2013-01-01
    “…The discourse about precariousness in Luiz Ruffato and Arlindo Gonçalves José José Leonardo Tonus This study aims to analyze how, in the novels Eles eram muitos cavalos by Luiz Ruffato and Desonrados e outros contos by Arlindo Gonçalves, the literary device of landscape contributes to the emergence of a discourse about precariousness. …”
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  3. 19583

    “New York and yet not New York”: Reading the Region in Contemporary Brooklyn Fictions by James Peacock

    Published 2008-12-01
    “…The article analyzes the depiction of Brooklyn as an urban region in a number of recent American novels, including Lynne Sharon Schwartz’s Leaving Brooklyn and Kitty Burns Florey’s Solos. …”
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  4. 19584

    "Narrative Cloggers": Notes on Description and Subversion in Nicholson Baker’s Fiction by Françoise Sammarcelli

    Published 2013-05-01
    “…This paper argues that the proliferating descriptive passages in Nicholson Baker's novels seem to short-circuit narrative progression instead of being mere additives to the narrative, in a textual exploration which blurs the traditional distinction between description and narration. …”
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  5. 19585

    Dickens Today by Marianne Camus

    Published 2012-01-01
    “…This essay suggests a way in which Dickens’s novels might be made more immediately accessible to students by drawing parallels between the sociopolitical situations they describe and our own. …”
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  6. 19586

    “Whiffs of Darwinism” in Rider Haggard’s fiction by Michel PRUM

    Published 2020-12-01
    “…The blurring of borders between animals and humans in his novels clearly testifies to the interspecific continuity as expressed in Darwin. …”
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  7. 19587

    ‘End of the Goddamned thing!!’ by Richard Williams

    Published 2018-07-01
    “…The mystery fiction writer Erle Stanley Gardner and his publisher Thayer Hobson of Morrow devised an unusual procedure for connecting the first ten Perry Mason novels with ‘leads’ to provoke the reader’s curiosity, and so promote the sale of the succeeding book. …”
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  8. 19588

    Images du vieillir chez Wilkie Collins by Isabelle Hervouet-Farrar

    Published 2006-12-01
    “…The study of three of Wilkie Collins’s novels : Mr Wray’s Cash-Box (1852), Armadale (1864-1866) and The Moonstone (1868) reveals that the character of the old man is an amalgamation of the image of the hero’s father and that of the hero. …”
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  9. 19589

    Pas d’armes et vide iconographique : quand le texte doit remplacer l’image (xve siècle) by Guillaume Bureaux

    Published 2017-01-01
    “…Why these entertainments, in their great majority, were not the object of iconographic representations, while descriptions of jousts and tournaments, or a number of novels when they were put into prose, were enhanced and complemented by miniatures?…”
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  10. 19590

    Littérature pour la jeunesse et diversité humaine. Privilégier la voix des auteurs en situation de handicap ? by Crystel Pinçonnat

    Published 2023-09-01
    “…This article focuses on a diverse ownvoice memoirs and novels for young people featuring human diversity through their protagonist. …”
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  11. 19591

    Same data, different analysts: variation in effect sizes due to analytical decisions in ecology and evolutionary biology by Elliot Gould, Hannah S. Fraser, Timothy H. Parker, Shinichi Nakagawa, Simon C. Griffith, Peter A. Vesk, Fiona Fidler, Daniel G. Hamilton, Robin N. Abbey-Lee, Jessica K. Abbott, Luis A. Aguirre, Carles Alcaraz, Irith Aloni, Drew Altschul, Kunal Arekar, Jeff W. Atkins, Joe Atkinson, Christopher M. Baker, Meghan Barrett, Kristian Bell, Suleiman Kehinde Bello, Iván Beltrán, Bernd J. Berauer, Michael Grant Bertram, Peter D. Billman, Charlie K. Blake, Shannon Blake, Louis Bliard, Andrea Bonisoli-Alquati, Timothée Bonnet, Camille Nina Marion Bordes, Aneesh P. H. Bose, Thomas Botterill-James, Melissa Anna Boyd, Sarah A. Boyle, Tom Bradfer-Lawrence, Jennifer Bradham, Jack A. Brand, Martin I. Brengdahl, Martin Bulla, Luc Bussière, Ettore Camerlenghi, Sara E. Campbell, Leonardo L. F. Campos, Anthony Caravaggi, Pedro Cardoso, Charles J. W. Carroll, Therese A. Catanach, Xuan Chen, Heung Ying Janet Chik, Emily Sarah Choy, Alec Philip Christie, Angela Chuang, Amanda J. Chunco, Bethany L. Clark, Andrea Contina, Garth A. Covernton, Murray P. Cox, Kimberly A. Cressman, Marco Crotti, Connor Davidson Crouch, Pietro B. D’Amelio, Alexandra Allison de Sousa, Timm Fabian Döbert, Ralph Dobler, Adam J. Dobson, Tim S. Doherty, Szymon Marian Drobniak, Alexandra Grace Duffy, Alison B. Duncan, Robert P. Dunn, Jamie Dunning, Trishna Dutta, Luke Eberhart-Hertel, Jared Alan Elmore, Mahmoud Medhat Elsherif, Holly M. English, David C. Ensminger, Ulrich Rainer Ernst, Stephen M. Ferguson, Esteban Fernandez-Juricic, Thalita Ferreira-Arruda, John Fieberg, Elizabeth A. Finch, Evan A. Fiorenza, David N. Fisher, Amélie Fontaine, Wolfgang Forstmeier, Yoan Fourcade, Graham S. Frank, Cathryn A. Freund, Eduardo Fuentes-Lillo, Sara L. Gandy, Dustin G. Gannon, Ana I. García-Cervigón, Alexis C. Garretson, Xuezhen Ge, William L. Geary, Charly Géron, Marc Gilles, Antje Girndt, Daniel Gliksman, Harrison B. Goldspiel, Dylan G. E. Gomes, Megan Kate Good, Sarah C. Goslee, J. Stephen Gosnell, Eliza M. Grames, Paolo Gratton, Nicholas M. Grebe, Skye M. Greenler, Maaike Griffioen, Daniel M. Griffith, Frances J. Griffith, Jake J. Grossman, Ali Güncan, Stef Haesen, James G. Hagan, Heather A. Hager, Jonathan Philo Harris, Natasha Dean Harrison, Sarah Syedia Hasnain, Justin Chase Havird, Andrew J. Heaton, María Laura Herrera-Chaustre, Tanner J. Howard, Bin-Yan Hsu, Fabiola Iannarilli, Esperanza C. Iranzo, Erik N. K. Iverson, Saheed Olaide Jimoh, Douglas H. Johnson, Martin Johnsson, Jesse Jorna, Tommaso Jucker, Martin Jung, Ineta Kačergytė, Oliver Kaltz, Alison Ke, Clint D. Kelly, Katharine Keogan, Friedrich Wolfgang Keppeler, Alexander K. Killion, Dongmin Kim, David P. Kochan, Peter Korsten, Shan Kothari, Jonas Kuppler, Jillian M. Kusch, Malgorzata Lagisz, Kristen Marianne Lalla, Daniel J. Larkin, Courtney L. Larson, Katherine S. Lauck, M. Elise Lauterbur, Alan Law, Don-Jean Léandri-Breton, Jonas J. Lembrechts, Kiara L’Herpiniere, Eva J. P. Lievens, Daniela Oliveira de Lima, Shane Lindsay, Martin Luquet, Ross MacLeod, Kirsty H. Macphie, Kit Magellan, Magdalena M. Mair, Lisa E. Malm, Stefano Mammola, Caitlin P. Mandeville, Michael Manhart, Laura Milena Manrique-Garzon, Elina Mäntylä, Philippe Marchand, Benjamin Michael Marshall, Charles A. Martin, Dominic Andreas Martin, Jake Mitchell Martin, April Robin Martinig, Erin S. McCallum, Mark McCauley, Sabrina M. McNew, Scott J. Meiners, Thomas Merkling, Marcus Michelangeli, Maria Moiron, Bruno Moreira, Jennifer Mortensen, Benjamin Mos, Taofeek Olatunbosun Muraina, Penelope Wrenn Murphy, Luca Nelli, Petri Niemelä, Josh Nightingale, Gustav Nilsonne, Sergio Nolazco, Sabine S. Nooten, Jessie Lanterman Novotny, Agnes Birgitta Olin, Chris L. Organ, Kate L. Ostevik, Facundo Xavier Palacio, Matthieu Paquet, Darren James Parker, David J. Pascall, Valerie J. Pasquarella, John Harold Paterson, Ana Payo-Payo, Karen Marie Pedersen, Grégoire Perez, Kayla I. Perry, Patrice Pottier, Michael J. Proulx, Raphaël Proulx, Jessica L Pruett, Veronarindra Ramananjato, Finaritra Tolotra Randimbiarison, Onja H. Razafindratsima, Diana J. Rennison, Federico Riva, Sepand Riyahi, Michael James Roast, Felipe Pereira Rocha, Dominique G. Roche, Cristian Román-Palacios, Michael S. Rosenberg, Jessica Ross, Freya E. Rowland, Deusdedith Rugemalila, Avery L. Russell, Suvi Ruuskanen, Patrick Saccone, Asaf Sadeh, Stephen M. Salazar, Kris Sales, Pablo Salmón, Alfredo Sánchez-Tójar, Leticia Pereira Santos, Francesca Santostefano, Hayden T. Schilling, Marcus Schmidt, Tim Schmoll, Adam C. Schneider, Allie E. Schrock, Julia Schroeder, Nicolas Schtickzelle, Nick L. Schultz, Drew A. Scott, Michael Peter Scroggie, Julie Teresa Shapiro, Nitika Sharma, Caroline L. Shearer, Diego Simón, Michael I. Sitvarin, Fabrício Luiz Skupien, Heather Lea Slinn, Grania Polly Smith, Jeremy A. Smith, Rahel Sollmann, Kaitlin Stack Whitney, Shannon Michael Still, Erica F. Stuber, Guy F. Sutton, Ben Swallow, Conor Claverie Taff, Elina Takola, Andrew J. Tanentzap, Rocío Tarjuelo, Richard J. Telford, Christopher J. Thawley, Hugo Thierry, Jacqueline Thomson, Svenja Tidau, Emily M. Tompkins, Claire Marie Tortorelli, Andrew Trlica, Biz R. Turnell, Lara Urban, Stijn Van de Vondel, Jessica Eva Megan van der Wal, Jens Van Eeckhoven, Francis van Oordt, K. Michelle Vanderwel, Mark C. Vanderwel, Karen J. Vanderwolf, Juliana Vélez, Diana Carolina Vergara-Florez, Brian C. Verrelli, Marcus Vinícius Vieira, Nora Villamil, Valerio Vitali, Julien Vollering, Jeffrey Walker, Xanthe J. Walker, Jonathan A. Walter, Pawel Waryszak, Ryan J. Weaver, Ronja E. M. Wedegärtner, Daniel L. Weller, Shannon Whelan, Rachel Louise White, David William Wolfson, Andrew Wood, Scott W. Yanco, Jian D. L. Yen, Casey Youngflesh, Giacomo Zilio, Cédric Zimmer, Gregory Mark Zimmerman, Rachel A. Zitomer

    Published 2025-02-01
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  12. 19592

    L’image du père et du jardin : Jane Eyre de Charlotte Brontë  et WideSargasso Sea de Jean Rhys by Anne-Marie Baranowski

    Published 2006-12-01
    “…Though no father actually appears as a character either in Jane Eyre or in Wide Sargasso Sea, the father figure looms large in both novels, as a complex, protean and paradoxical entity, playing a crucial part in the fate of the protagonists. …”
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  13. 19593

    Reorientando a identidade nacional em Native speaker, de Chang-rae Lee, e O sol se põe em São Paulo, de Bernardo Carvalho by Rex P. Nielson

    Published 2014-01-01
    “…A comparative reading of the novels Native speaker (1995), by the North American writer Chang-rae Lee, and O sol se põe em São Paulo (2007), by Bernardo Carvalho, allows for a reevaluation of how minority identities have been constructed in the two American megalopolises New York and São Paulo. …”
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  14. 19594

    “Charles Dickens walked past here”: Dickensian Topography and the Idea of Fellowship by Malcolm ANDREWS

    Published 2016-05-01
    “…The essay explores the idea of Dickensian topography, in relation both to Dickens’s own preoccupation with topographical specificity in the novels and to the practices of literary tourism in “Dickens Country.” …”
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  15. 19595

    I (Don’t) See You: Absence, Omissions, and Spectrality in the Works of Ishtiyaq Shukri by Iqra Raza

    Published 2021-06-01
    “… This paper studies the representation of the Muslim body (within the context of the War on Terror) as an instance of disembodied subjectivity that haunts through the remnants of its presence, via a close textual analysis of Ishtiyaq Shukri’s novels The Silent Minaret (2005) and I See You (2014). …”
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  16. 19596

    Charles Dickens et le « nouveau pittoresque » by Nathalie Vanfasse

    Published 2006-12-01
    “…Ross has stressed the impact of the picturesque on novels of that period. The word « picturesque » appears frequently in Dickens’s novels. …”
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  17. 19597

    Plain Beasts: The Social Dimension and Animalistic Presence of Dogs in Fontane’s Frau Jenny Treibel and Effi Briest by Amir Zelinger

    Published 2015-07-01
    “…This article offers a posthumanist reading of two of Theodor Fontane’s novels, Frau Jenny Treibel and Effi Briest. Focusing in particular on the introduction of dogs at various points in the novels, it maintains that although the canine characters play only a marginal role in the development of the plot it is precisely their ostensibly negligible appearance that endows them with a substantial meaning. …”
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  18. 19598

    Équivalents finnois des prédications averbales premières et secondes by Eva Havu

    Published 2010-09-01
    “…The corpus consists of the Finnish translation of adjectival and nominal autonomous and secondary predications taken from three contemporary French novels.…”
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  19. 19599

    The Crumbling Two-Story Architecture of Richard Powers’ Fictions by Thomas B. Byers

    Published 2010-02-01
    “…A prominent characteristic of Richard Powers’ technique is that his novels generally proceed by the alternating narration of two different stories. …”
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  20. 19600

    Stereotypes and Trauma: Germany in John Hawkes’s The Cannibal and Walter Abish’s How German Is It by Theophilus Savvas

    Published 2013-06-01
    “…Here, I reconsider this use of stereotype, and discuss the relationship of the two novels with the traumatic events that constitute the background radiation to them. …”
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