Object lessons: the question of cultural property in the age of repatriation

Object lessons: the question of cultural property in the age of repatriation. Northwest Coast material culture has become increasingly identified as cultural property, a quasi-legal concept that denotes objects of a collective patrimony. This represents a radical shift from earlier notions of proper...

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Main Author: Michael E. Harkin
Format: Article
Language:English
Published: Société des américanistes 2005-12-01
Series:Journal de la Société des Américanistes
Subjects:
Online Access:https://journals.openedition.org/jsa/2932
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author Michael E. Harkin
author_facet Michael E. Harkin
author_sort Michael E. Harkin
collection DOAJ
description Object lessons: the question of cultural property in the age of repatriation. Northwest Coast material culture has become increasingly identified as cultural property, a quasi-legal concept that denotes objects of a collective patrimony. This represents a radical shift from earlier notions of property, seen strongly as privately owned by individuals and family groups. Moreover, the status of these objects as art, that is, framed in a museum setting and partaking of certain transcendent qualities derived from the Western tradition, represents a dramatic redefinition of pieces that were considered analogous to human beings, as temporary entities. This process of redefinition, which is generational, political, and an invention of tradition, is probably inevitable.
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issn 0037-9174
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series Journal de la Société des Américanistes
spelling doaj-art-fee4bc0ec8ee4791982c6da272341b942025-02-05T15:53:57ZengSociété des américanistesJournal de la Société des Américanistes0037-91741957-78422005-12-0191292910.4000/jsa.2932Object lessons: the question of cultural property in the age of repatriationMichael E. HarkinObject lessons: the question of cultural property in the age of repatriation. Northwest Coast material culture has become increasingly identified as cultural property, a quasi-legal concept that denotes objects of a collective patrimony. This represents a radical shift from earlier notions of property, seen strongly as privately owned by individuals and family groups. Moreover, the status of these objects as art, that is, framed in a museum setting and partaking of certain transcendent qualities derived from the Western tradition, represents a dramatic redefinition of pieces that were considered analogous to human beings, as temporary entities. This process of redefinition, which is generational, political, and an invention of tradition, is probably inevitable.https://journals.openedition.org/jsa/2932artaestheticsmuseumscultural propertyrepatriation
spellingShingle Michael E. Harkin
Object lessons: the question of cultural property in the age of repatriation
Journal de la Société des Américanistes
art
aesthetics
museums
cultural property
repatriation
title Object lessons: the question of cultural property in the age of repatriation
title_full Object lessons: the question of cultural property in the age of repatriation
title_fullStr Object lessons: the question of cultural property in the age of repatriation
title_full_unstemmed Object lessons: the question of cultural property in the age of repatriation
title_short Object lessons: the question of cultural property in the age of repatriation
title_sort object lessons the question of cultural property in the age of repatriation
topic art
aesthetics
museums
cultural property
repatriation
url https://journals.openedition.org/jsa/2932
work_keys_str_mv AT michaeleharkin objectlessonsthequestionofculturalpropertyintheageofrepatriation