« Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine
The « Commune » remains a fruitful source of inspiration for many contemporary shows, less to celebrate history than to transpose the communard utopia into our current events or to glorify this popular and poetic impetus. Music and song thus hold a central place there, in order to appeal to the coll...
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| Format: | Article |
| Language: | fra |
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Association Paul Langevin
2021-03-01
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| Series: | Cahiers d’histoire. |
| Subjects: | |
| Online Access: | https://journals.openedition.org/chrhc/15699 |
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| _version_ | 1832581140669530112 |
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| author | Nathalie Coutelet |
| author_facet | Nathalie Coutelet |
| author_sort | Nathalie Coutelet |
| collection | DOAJ |
| description | The « Commune » remains a fruitful source of inspiration for many contemporary shows, less to celebrate history than to transpose the communard utopia into our current events or to glorify this popular and poetic impetus. Music and song thus hold a central place there, in order to appeal to the collective memories and to make this communard spirit sensitive. If the works include historical personalities and events, and pay particular tribute to the women’s action, they all develop, according to various scenic forms, a reflection that is both political and aesthetic on the today’s theater and society. |
| format | Article |
| id | doaj-art-fe59c8ba0e1244a29df499118de48cec |
| institution | Kabale University |
| issn | 1271-6669 2102-5916 |
| language | fra |
| publishDate | 2021-03-01 |
| publisher | Association Paul Langevin |
| record_format | Article |
| series | Cahiers d’histoire. |
| spelling | doaj-art-fe59c8ba0e1244a29df499118de48cec2025-01-30T10:29:18ZfraAssociation Paul LangevinCahiers d’histoire.1271-66692102-59162021-03-01148516710.4000/chrhc.15699« Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaineNathalie CouteletThe « Commune » remains a fruitful source of inspiration for many contemporary shows, less to celebrate history than to transpose the communard utopia into our current events or to glorify this popular and poetic impetus. Music and song thus hold a central place there, in order to appeal to the collective memories and to make this communard spirit sensitive. If the works include historical personalities and events, and pay particular tribute to the women’s action, they all develop, according to various scenic forms, a reflection that is both political and aesthetic on the today’s theater and society.https://journals.openedition.org/chrhc/15699Paris Communedocumentary theatrepolitical theatresongmythCommunards |
| spellingShingle | Nathalie Coutelet « Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine Cahiers d’histoire. Paris Commune documentary theatre political theatre song myth Communards |
| title | « Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine |
| title_full | « Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine |
| title_fullStr | « Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine |
| title_full_unstemmed | « Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine |
| title_short | « Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine |
| title_sort | le cadavre est a terre et l idee est debout le souffle communard sur la scene contemporaine |
| topic | Paris Commune documentary theatre political theatre song myth Communards |
| url | https://journals.openedition.org/chrhc/15699 |
| work_keys_str_mv | AT nathaliecoutelet lecadavreestaterreetlideeestdeboutlesoufflecommunardsurlascenecontemporaine |