Sound in Daniel Deronda
The aim of this paper is to explore the significance of sounds negative and sounds positive in Daniel Deronda, tracing a sequence of significant sounds from the near-silence of the opening scene in a gaming room to the jubilant licence of sound in the concluding wedding scene. It is particularly int...
Saved in:
Main Author: | Michael Hollington |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses Universitaires de la Méditerranée
2021-11-01
|
Series: | Cahiers Victoriens et Edouardiens |
Subjects: | |
Online Access: | https://journals.openedition.org/cve/9659 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Acerca del carácter metafísico de la Lógica de Hegel
by: Andrés F. Parra
Published: (2021-01-01) -
El problema de la negatividad en la ciencia de la lógica de Hegel
by: Juan Serey Aguilera
Published: (2017-01-01) -
La condena de la venganza privada tras la justicia punitiva. Contraste y continuidad entre La Orestíada de Esquilo y el derecho hegeliano
by: Víctor Ibarra B.
Published: (2016-01-01) -
La scène internationale : les nouveaux horizons dans Daniel Deronda de George Eliot
by: Stéphanie Drouet-Richet
Published: (2012-06-01) -
La dialéctica de Hegel en “cuestiones de método” de Jean Paul Sartre
by: Rubén Céspedes
Published: (2017-01-01)