Robert Creeley’s Refusals
Cet article analyse les effets de compression dans la poésie des années cinquante et soixante de Robert Creeley. L’auteur de Pieces s’est fait un nom durant cette période grâce à des poèmes concis aux vers très brefs, ce qui a pour effet d’accroître considérablement la pression sur la brisure du ver...
Saved in:
Main Author: | Will Montgomery |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses Universitaires du Midi
2014-01-01
|
Series: | Anglophonia |
Subjects: | |
Online Access: | https://journals.openedition.org/acs/303 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Robert Duncan’s Long Poem Debates and his Poetics of Grand Collage
by: Rachel Blau DuPlessis
Published: (2020-12-01) -
The Cold War Community of Love and Scorn: Robert Duncan, The New American Poetry, and the Lavender Scare
by: Stephan Delbos
Published: (2020-12-01) -
Robert Duncan’s Big Poetry: Re-visioning the Common
by: Miriam Nichols
Published: (2020-12-01) -
‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry
by: Jean-Charles Perquin
Published: (2016-05-01) -
Revelation, Not Revolution: Queer Poetry’s Political Life, as Read through Robert Duncan’s Late Anarchism
by: Eric Keenaghan
Published: (2020-12-01)