Le Diable au xxe siècle

At the dawn of the past century, the diffusion of the character of Mephistopheles, conceived as the modern evolution of the image of Satan, was an extraordinarily important social and cultural phenomenon from the perspective of spreading the Christian faith within the collective imaginary. In Spain,...

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Main Author: Jordi Luengo López
Format: Article
Language:English
Published: Centre de Recherches Ibériques et Ibéro-Américaines 2011-06-01
Series:Cahiers de Civilisation Espagnole Contemporaine
Subjects:
Online Access:https://journals.openedition.org/ccec/3191
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author Jordi Luengo López
author_facet Jordi Luengo López
author_sort Jordi Luengo López
collection DOAJ
description At the dawn of the past century, the diffusion of the character of Mephistopheles, conceived as the modern evolution of the image of Satan, was an extraordinarily important social and cultural phenomenon from the perspective of spreading the Christian faith within the collective imaginary. In Spain, the press was fuelled by the terror of the Great War to drive the Devil from his throne of evil, thus turning him into an individual whose arts adjusted to the modern period and leaving his evil halo to the human being. All the same, as early as the decline of the nineteenth century and the height of the Belle Époque, and during the twenties and the Spanish Second Republic, the literaturisation that was made of the devil revolutionised the ideas of the Bourgeoisie and the people of the time since newspapers were much closer to people than even the Church. In this way, the press was capable of making men and women lose their fear of Satan – fear that had been instilled by Christian dogmas – to start sympathising with Mephistopheles, a character which understood the misfortunes and joys of their lives much better.
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publishDate 2011-06-01
publisher Centre de Recherches Ibériques et Ibéro-Américaines
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series Cahiers de Civilisation Espagnole Contemporaine
spelling doaj-art-fdebd676373e4de5b05d0ac413ce211b2025-01-30T10:10:12ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612011-06-01610.4000/ccec.3191Le Diable au xxe siècleJordi Luengo LópezAt the dawn of the past century, the diffusion of the character of Mephistopheles, conceived as the modern evolution of the image of Satan, was an extraordinarily important social and cultural phenomenon from the perspective of spreading the Christian faith within the collective imaginary. In Spain, the press was fuelled by the terror of the Great War to drive the Devil from his throne of evil, thus turning him into an individual whose arts adjusted to the modern period and leaving his evil halo to the human being. All the same, as early as the decline of the nineteenth century and the height of the Belle Époque, and during the twenties and the Spanish Second Republic, the literaturisation that was made of the devil revolutionised the ideas of the Bourgeoisie and the people of the time since newspapers were much closer to people than even the Church. In this way, the press was capable of making men and women lose their fear of Satan – fear that had been instilled by Christian dogmas – to start sympathising with Mephistopheles, a character which understood the misfortunes and joys of their lives much better.https://journals.openedition.org/ccec/3191pressDevilMephistophelesthe Eviladvertisingmodernity
spellingShingle Jordi Luengo López
Le Diable au xxe siècle
Cahiers de Civilisation Espagnole Contemporaine
press
Devil
Mephistopheles
the Evil
advertising
modernity
title Le Diable au xxe siècle
title_full Le Diable au xxe siècle
title_fullStr Le Diable au xxe siècle
title_full_unstemmed Le Diable au xxe siècle
title_short Le Diable au xxe siècle
title_sort le diable au xxe siecle
topic press
Devil
Mephistopheles
the Evil
advertising
modernity
url https://journals.openedition.org/ccec/3191
work_keys_str_mv AT jordiluengolopez lediableauxxesiecle