L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)

Despite its importance for the history of Flemish book painting, the Oosteeklo Antiphonal, kept at the library of the Ghent Museum of Fine Arts, has been largely neglected by art historians. A remarkable colophon discloses the identity of its patroness, Quentine de Mastaing, abbess of the Cistercian...

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Main Author: Dominique Vanwijnsberghe
Format: Article
Language:English
Published: Association CeROArt 2015-06-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/4749
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author Dominique Vanwijnsberghe
author_facet Dominique Vanwijnsberghe
author_sort Dominique Vanwijnsberghe
collection DOAJ
description Despite its importance for the history of Flemish book painting, the Oosteeklo Antiphonal, kept at the library of the Ghent Museum of Fine Arts, has been largely neglected by art historians. A remarkable colophon discloses the identity of its patroness, Quentine de Mastaing, abbess of the Cistercian convent of Oosteeklo. It also mentions the name of the two scribes and the year of completion of the manuscript (1498). Moreover, the historiated initials can be related to a documented artist: the celebrated Cornelia van Wulfschkercke, Carmelite of the Sion convent in Bruges, to whom an important body of works has been attributed. Two other manuscripts by the same hand are presented, an ideal opportunity to assess the validity of an identification that remains, at this stage of research, a working hypothesis.
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series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-fd748f2a5c99473d985b21c27c2cd9582025-01-30T14:14:32ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922015-06-0110.4000/ceroart.4749L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)Dominique VanwijnsbergheDespite its importance for the history of Flemish book painting, the Oosteeklo Antiphonal, kept at the library of the Ghent Museum of Fine Arts, has been largely neglected by art historians. A remarkable colophon discloses the identity of its patroness, Quentine de Mastaing, abbess of the Cistercian convent of Oosteeklo. It also mentions the name of the two scribes and the year of completion of the manuscript (1498). Moreover, the historiated initials can be related to a documented artist: the celebrated Cornelia van Wulfschkercke, Carmelite of the Sion convent in Bruges, to whom an important body of works has been attributed. Two other manuscripts by the same hand are presented, an ideal opportunity to assess the validity of an identification that remains, at this stage of research, a working hypothesis.https://journals.openedition.org/ceroart/4749paintingCornelia van WulfschkerckeBrugesGhentmedieval artcistercian
spellingShingle Dominique Vanwijnsberghe
L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
painting
Cornelia van Wulfschkercke
Bruges
Ghent
medieval art
cistercian
title L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)
title_full L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)
title_fullStr L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)
title_full_unstemmed L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)
title_short L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)
title_sort l antiphonaire d oosteeklo et son enlumineur cornelia van wulfschkercke
topic painting
Cornelia van Wulfschkercke
Bruges
Ghent
medieval art
cistercian
url https://journals.openedition.org/ceroart/4749
work_keys_str_mv AT dominiquevanwijnsberghe lantiphonairedoosteekloetsonenlumineurcorneliavanwulfschkercke