« Resident and Visitor », Brook Andrew et Christine Barthe en conversation
In the introduction to a conversation with Brook Andrew, the author recalls what is at stake in the residency programme that the Musée du quai Branly has been running since 2008. This programme, aimed at supporting projects and integrating new pieces into the museum’s photographic collection, has gi...
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Format: | Article |
Language: | fra |
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Laboratoire d'Ethnologie et de Sociologie Comparative
2022-03-01
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Series: | Ateliers d'Anthropologie |
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Online Access: | https://journals.openedition.org/ateliers/16366 |
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author | Christine Barthe |
author_facet | Christine Barthe |
author_sort | Christine Barthe |
collection | DOAJ |
description | In the introduction to a conversation with Brook Andrew, the author recalls what is at stake in the residency programme that the Musée du quai Branly has been running since 2008. This programme, aimed at supporting projects and integrating new pieces into the museum’s photographic collection, has given rise to various works, some of which—like that of Brook Andrew—were developed in connection with the museum’s collection of historical photographs. The conversation enables a better understanding of Brook Andrew’s work as a whole. It contextualises the approach that led him to explore the question of access to photographic collections in 2016, and to develop the artist’s role as smuggler. |
format | Article |
id | doaj-art-fd27c82a8cb0404187987822632eb059 |
institution | Kabale University |
issn | 2117-3869 |
language | fra |
publishDate | 2022-03-01 |
publisher | Laboratoire d'Ethnologie et de Sociologie Comparative |
record_format | Article |
series | Ateliers d'Anthropologie |
spelling | doaj-art-fd27c82a8cb0404187987822632eb0592025-01-30T13:42:32ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692022-03-015110.4000/ateliers.16366« Resident and Visitor », Brook Andrew et Christine Barthe en conversationChristine BartheIn the introduction to a conversation with Brook Andrew, the author recalls what is at stake in the residency programme that the Musée du quai Branly has been running since 2008. This programme, aimed at supporting projects and integrating new pieces into the museum’s photographic collection, has given rise to various works, some of which—like that of Brook Andrew—were developed in connection with the museum’s collection of historical photographs. The conversation enables a better understanding of Brook Andrew’s work as a whole. It contextualises the approach that led him to explore the question of access to photographic collections in 2016, and to develop the artist’s role as smuggler.https://journals.openedition.org/ateliers/16366photographycontemporary artAustraliacollectionMusée du quai Branly – Jacques Chirac |
spellingShingle | Christine Barthe « Resident and Visitor », Brook Andrew et Christine Barthe en conversation Ateliers d'Anthropologie photography contemporary art Australia collection Musée du quai Branly – Jacques Chirac |
title | « Resident and Visitor », Brook Andrew et Christine Barthe en conversation |
title_full | « Resident and Visitor », Brook Andrew et Christine Barthe en conversation |
title_fullStr | « Resident and Visitor », Brook Andrew et Christine Barthe en conversation |
title_full_unstemmed | « Resident and Visitor », Brook Andrew et Christine Barthe en conversation |
title_short | « Resident and Visitor », Brook Andrew et Christine Barthe en conversation |
title_sort | resident and visitor brook andrew et christine barthe en conversation |
topic | photography contemporary art Australia collection Musée du quai Branly – Jacques Chirac |
url | https://journals.openedition.org/ateliers/16366 |
work_keys_str_mv | AT christinebarthe residentandvisitorbrookandrewetchristinebartheenconversation |