Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de Salomé

In Wilde’s Salome, the Moon is omnipresent. Richard Strauss produced Wilde’s moonlit piece which held supremacy over the world throughout the last century. But where does this myth of the Moon come from ? We perceive the new modes in the contemporary productions of Salome : one is the new influence...

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Main Author: Atsuko Ogane
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2010-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/2734
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author Atsuko Ogane
author_facet Atsuko Ogane
author_sort Atsuko Ogane
collection DOAJ
description In Wilde’s Salome, the Moon is omnipresent. Richard Strauss produced Wilde’s moonlit piece which held supremacy over the world throughout the last century. But where does this myth of the Moon come from ? We perceive the new modes in the contemporary productions of Salome : one is the new influence of Flaubert’s Hérodias, the origin of the modern Salome. The other is the disappearance of the traditional Salome. We must go back to the nineteenth century where this lunar dance of Salome was created, and especially to Flaubert’s Hérodias which inspired Wilde to exploit the lunar Hérodias and Salome.
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institution Kabale University
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2271-6149
language English
publishDate 2010-12-01
publisher Presses Universitaires de la Méditerranée
record_format Article
series Cahiers Victoriens et Edouardiens
spelling doaj-art-fd14c4333fdc48378be149d396b5ff052025-01-30T10:21:59ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492010-12-017216718410.4000/cve.2734Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de SaloméAtsuko OganeIn Wilde’s Salome, the Moon is omnipresent. Richard Strauss produced Wilde’s moonlit piece which held supremacy over the world throughout the last century. But where does this myth of the Moon come from ? We perceive the new modes in the contemporary productions of Salome : one is the new influence of Flaubert’s Hérodias, the origin of the modern Salome. The other is the disappearance of the traditional Salome. We must go back to the nineteenth century where this lunar dance of Salome was created, and especially to Flaubert’s Hérodias which inspired Wilde to exploit the lunar Hérodias and Salome.https://journals.openedition.org/cve/2734
spellingShingle Atsuko Ogane
Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de Salomé
Cahiers Victoriens et Edouardiens
title Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de Salomé
title_full Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de Salomé
title_fullStr Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de Salomé
title_full_unstemmed Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de Salomé
title_short Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de Salomé
title_sort vers un nouveau mythe lunaire de salome modernite de la mise en scene de la danse de salome
url https://journals.openedition.org/cve/2734
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