Human hair in contemporary art: conservation issues and solutions
This study explores the use of human hair in contemporary art threw several artworks from the Belgian artist Hélène de Gottal. She employs the traditional techniques used by spindle lace makers, as well as hairspray, to create masks using her face as a model. Human hair is a fragile organic material...
Saved in:
Main Author: | Amélie Pirotte |
---|---|
Format: | Article |
Language: | English |
Published: |
Association CeROArt
2017-05-01
|
Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | https://journals.openedition.org/ceroart/5071 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Theoretical issues in the conservation of contemporary art
by: Rosario Llamas-Pacheco
Published: (2024-10-01) -
MAP as a conservation method for contemporary art with foodstuffs : three case studies
by: Julie Gilman, et al.
Published: (2011-11-01) -
Cycle of Use, Cracks and Aura in Contemporary Art: Conservation within Art Creation
by: Asseneth Regis Vives
Published: (2024-10-01) -
Innovative Approach to the Complex Care of Contemporary Art, by Iwona Szmelter,
by: Sophie Moreaux
Published: (2012-10-01) -
“The Body Hair that Grows on the Head”
by: Donyol Dondrup, et al.
Published: (2018-11-01)