L’Emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma

To what extent does cinema represent a resource to reflect on the evolutions of inhabited environments and, more specifically, to grasp the stakes and forces of an architectural and urban experience that is increasingly conditioned? This article aims to answer this question using three fictions – Di...

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Main Authors: Anne Bossé, Théo Fort-Jacques
Format: Article
Language:fra
Published: Ministère de la culture 2024-09-01
Series:Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
Subjects:
Online Access:https://journals.openedition.org/craup/2966
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author Anne Bossé
Théo Fort-Jacques
author_facet Anne Bossé
Théo Fort-Jacques
author_sort Anne Bossé
collection DOAJ
description To what extent does cinema represent a resource to reflect on the evolutions of inhabited environments and, more specifically, to grasp the stakes and forces of an architectural and urban experience that is increasingly conditioned? This article aims to answer this question using three fictions – Die Hard, The Truman Show and Ocean’s Eleven – which are three films that allow to grasp conditioning from the standpoint of experience. The analysis, focused on technical and ambiance mechanisms as affordances, reveals four modalities of the experience of hyper-conditioned spaces: familiarization/defamiliarization, sabotage, interference, and immunisation.
format Article
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institution Kabale University
issn 2606-7498
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publishDate 2024-09-01
publisher Ministère de la culture
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series Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
spelling doaj-art-f75a0335b6fd48b19d2c9f9e28eae9142025-01-30T11:06:52ZfraMinistère de la cultureLes Cahiers de la Recherche Architecturale, Urbaine et Paysagère2606-74982024-09-01610.4000/craup.2966L’Emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinémaAnne BosséThéo Fort-JacquesTo what extent does cinema represent a resource to reflect on the evolutions of inhabited environments and, more specifically, to grasp the stakes and forces of an architectural and urban experience that is increasingly conditioned? This article aims to answer this question using three fictions – Die Hard, The Truman Show and Ocean’s Eleven – which are three films that allow to grasp conditioning from the standpoint of experience. The analysis, focused on technical and ambiance mechanisms as affordances, reveals four modalities of the experience of hyper-conditioned spaces: familiarization/defamiliarization, sabotage, interference, and immunisation.https://journals.openedition.org/craup/2966fiction movieexperiencetechniquesaffordances
spellingShingle Anne Bossé
Théo Fort-Jacques
L’Emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma
Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
fiction movie
experience
techniques
affordances
title L’Emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma
title_full L’Emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma
title_fullStr L’Emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma
title_full_unstemmed L’Emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma
title_short L’Emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma
title_sort l emprise des techniques penser l experience urbaine conditionnee a partir du cinema
topic fiction movie
experience
techniques
affordances
url https://journals.openedition.org/craup/2966
work_keys_str_mv AT annebosse lemprisedestechniquespenserlexperienceurbaineconditionneeapartirducinema
AT theofortjacques lemprisedestechniquespenserlexperienceurbaineconditionneeapartirducinema