Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeux

After almost half a century of research, the Corpus of Anglo-Saxon Stone Sculpture (CASSS) project, coordinated by Professor Rosemary Cramp, is coming to an end. It brings together inventories of all Anglo-Saxon sculptural remains dating from between the seventh and twelfth centuries. With the final...

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Main Authors: Celia Orsini, Sarah Semple
Format: Article
Language:fra
Published: École du Louvre 2021-11-01
Series:Les Cahiers de l'École du Louvre
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Online Access:https://journals.openedition.org/cel/18284
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author Celia Orsini
Sarah Semple
author_facet Celia Orsini
Sarah Semple
author_sort Celia Orsini
collection DOAJ
description After almost half a century of research, the Corpus of Anglo-Saxon Stone Sculpture (CASSS) project, coordinated by Professor Rosemary Cramp, is coming to an end. It brings together inventories of all Anglo-Saxon sculptural remains dating from between the seventh and twelfth centuries. With the final publications in 2022, it will comprise over eighteen publications, sixteen of which are devoted to inventories from each county in England. The end of this colossal project is an opportunity to look back at the strengths and limitations of an operation built over the long term that has survived the great transformations brought about by the digital age.
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spelling doaj-art-f5dc349db87f4d54a61f9d143e232c0b2025-01-30T14:00:13ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2021-11-011710.4000/cel.18284Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeuxCelia OrsiniSarah SempleAfter almost half a century of research, the Corpus of Anglo-Saxon Stone Sculpture (CASSS) project, coordinated by Professor Rosemary Cramp, is coming to an end. It brings together inventories of all Anglo-Saxon sculptural remains dating from between the seventh and twelfth centuries. With the final publications in 2022, it will comprise over eighteen publications, sixteen of which are devoted to inventories from each county in England. The end of this colossal project is an opportunity to look back at the strengths and limitations of an operation built over the long term that has survived the great transformations brought about by the digital age.https://journals.openedition.org/cel/18284sculptureCorpus of Anglo-Saxon Stone SculptureBritainseventh–twelfth century
spellingShingle Celia Orsini
Sarah Semple
Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeux
Les Cahiers de l'École du Louvre
sculpture
Corpus of Anglo-Saxon Stone Sculpture
Britain
seventh–twelfth century
title Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeux
title_full Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeux
title_fullStr Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeux
title_full_unstemmed Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeux
title_short Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeux
title_sort le corpus of anglo saxon stone sculpture in england constitution documentation numerique et enjeux
topic sculpture
Corpus of Anglo-Saxon Stone Sculpture
Britain
seventh–twelfth century
url https://journals.openedition.org/cel/18284
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AT sarahsemple lecorpusofanglosaxonstonesculptureinenglandconstitutiondocumentationnumeriqueetenjeux