Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique

The scientific examination of the Fall of Icarus of the Royal Museums of Fine Arts of Belgium in Brussels leads to the conclusion that the work is not by the hand of Pieter Bruegel the Elder, as with a second version in the Van Buuren Museum (Brussels). The painting is no doubt a copy after a lost o...

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Main Authors: Dominique Allart, Christina Currie
Format: Article
Language:English
Published: Association CeROArt 2013-02-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/2953
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author Dominique Allart
Christina Currie
author_facet Dominique Allart
Christina Currie
author_sort Dominique Allart
collection DOAJ
description The scientific examination of the Fall of Icarus of the Royal Museums of Fine Arts of Belgium in Brussels leads to the conclusion that the work is not by the hand of Pieter Bruegel the Elder, as with a second version in the Van Buuren Museum (Brussels). The painting is no doubt a copy after a lost original by the artist. The analysis of a cross-section of the paint layer and radiocarbon dating of the canvas suggest that it is an old copy. Under the worn and retouched paint layer, camouflaged by a yellowed varnish, the infrared reflectogram reveals a studious and clumsy underdrawing that is neither characteristic of Pieter Bruegel the Elder nor of Pieter Brueghel the Younger, his elder son and primary copyist. The poor condition of the painting hinders any attempt at attribution, but this should not prevent its admirers from continuing to savour its mysterious charms.
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issn 1784-5092
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series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-f5904a9ba4ed45fa85dcb375cdb109542025-01-30T14:13:59ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922013-02-0110.4000/ceroart.2953Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de BelgiqueDominique AllartChristina CurrieThe scientific examination of the Fall of Icarus of the Royal Museums of Fine Arts of Belgium in Brussels leads to the conclusion that the work is not by the hand of Pieter Bruegel the Elder, as with a second version in the Van Buuren Museum (Brussels). The painting is no doubt a copy after a lost original by the artist. The analysis of a cross-section of the paint layer and radiocarbon dating of the canvas suggest that it is an old copy. Under the worn and retouched paint layer, camouflaged by a yellowed varnish, the infrared reflectogram reveals a studious and clumsy underdrawing that is neither characteristic of Pieter Bruegel the Elder nor of Pieter Brueghel the Younger, his elder son and primary copyist. The poor condition of the painting hinders any attempt at attribution, but this should not prevent its admirers from continuing to savour its mysterious charms.https://journals.openedition.org/ceroart/2953underdrawingBruegelFall of Icarusscientific analysesattributionexpertise
spellingShingle Dominique Allart
Christina Currie
Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
underdrawing
Bruegel
Fall of Icarus
scientific analyses
attribution
expertise
title Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique
title_full Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique
title_fullStr Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique
title_full_unstemmed Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique
title_short Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique
title_sort trompeuses seductions la chute d icare des musees royaux des beaux arts de belgique
topic underdrawing
Bruegel
Fall of Icarus
scientific analyses
attribution
expertise
url https://journals.openedition.org/ceroart/2953
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