L’artificieuse alternative de Ford Madox Ford dans The Good Soldier

In The Good Soldier Ford Madox Ford used artifice in order both to construct and deconstruct, simultaneously. This article begins by analysing the various devices used by modernist and postmodernist novelists to break the frame of narrative illusion (devices often based on an either/or opposition),...

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Main Author: Catherine Pesso-Miquel
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2009-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/1967
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author Catherine Pesso-Miquel
author_facet Catherine Pesso-Miquel
author_sort Catherine Pesso-Miquel
collection DOAJ
description In The Good Soldier Ford Madox Ford used artifice in order both to construct and deconstruct, simultaneously. This article begins by analysing the various devices used by modernist and postmodernist novelists to break the frame of narrative illusion (devices often based on an either/or opposition), before showing that Ford boldly preferred the conjunction and, piling up aporetic contradictions and incompatibilities that operate at the level of plot, grammar, time scheme, and characterisation. Thus the novel brilliantly creates the illusion that there is an elaborate, rich story to be understood and interpreted while at the same time preventing any satisfactory piecing together, by the reader, of all the details and fragments of this discontinuous tale. The Good Soldier is not a modernist tale protesting that it is only a metafictional discourse, it is a flat, brilliant metafictional surface creating the illusion that this “saddest story” does have a depth.
format Article
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2009-12-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-f44fed6ead3545e0aec60c8fad06bc4b2025-01-30T13:46:32ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022009-12-011010.4000/sillagescritiques.1967L’artificieuse alternative de Ford Madox Ford dans The Good SoldierCatherine Pesso-MiquelIn The Good Soldier Ford Madox Ford used artifice in order both to construct and deconstruct, simultaneously. This article begins by analysing the various devices used by modernist and postmodernist novelists to break the frame of narrative illusion (devices often based on an either/or opposition), before showing that Ford boldly preferred the conjunction and, piling up aporetic contradictions and incompatibilities that operate at the level of plot, grammar, time scheme, and characterisation. Thus the novel brilliantly creates the illusion that there is an elaborate, rich story to be understood and interpreted while at the same time preventing any satisfactory piecing together, by the reader, of all the details and fragments of this discontinuous tale. The Good Soldier is not a modernist tale protesting that it is only a metafictional discourse, it is a flat, brilliant metafictional surface creating the illusion that this “saddest story” does have a depth.https://journals.openedition.org/sillagescritiques/1967metafictionFord Madox FordThe Good Soldierdeconstructionaporiapost-modernism
spellingShingle Catherine Pesso-Miquel
L’artificieuse alternative de Ford Madox Ford dans The Good Soldier
Sillages Critiques
metafiction
Ford Madox Ford
The Good Soldier
deconstruction
aporia
post-modernism
title L’artificieuse alternative de Ford Madox Ford dans The Good Soldier
title_full L’artificieuse alternative de Ford Madox Ford dans The Good Soldier
title_fullStr L’artificieuse alternative de Ford Madox Ford dans The Good Soldier
title_full_unstemmed L’artificieuse alternative de Ford Madox Ford dans The Good Soldier
title_short L’artificieuse alternative de Ford Madox Ford dans The Good Soldier
title_sort l artificieuse alternative de ford madox ford dans the good soldier
topic metafiction
Ford Madox Ford
The Good Soldier
deconstruction
aporia
post-modernism
url https://journals.openedition.org/sillagescritiques/1967
work_keys_str_mv AT catherinepessomiquel lartificieusealternativedefordmadoxforddansthegoodsoldier